What Fandom Racism Looks Like: Silly Ship Wars

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What Fandom Racism Looks Like_ Silly Ship Wars

Declaring the problem a ship war wasn’t so much revisionist history as wishful thinking: fans like to consider fannish space utopian, and racism doesn’t belong in utopia— therefore the problem wasn’t racism, it was ships. This line of thinking was white privilege at its finest (or lowest), with POC fandom as its casualties.

From “Not So Star-Spangled Examining Race, Privilege and Problems in MCU’s Captain America Fandom” by Cait Coker and Rukmini Pande in The Darker Side of Slash Fan Fiction

Time and time again in fandom, it’s been proven that the easiest way to stop people from taking the critical thoughts of fans of color seriously when we talk about racism in fandom spaces is to reframe it all as “just” a ship war.

If criticism of racism can be dismissed as “just” jealous shippers lashing out at a supposedly better positioned or more liked ship, then no one has to wrestle with what we’re actually talking about:

That time and time again in fandom’s shippy spaces, fandom actively chooses whiteness. Fandom constantly chooses white characters, whitewashed characters of color, white experiences, and white fans over people of color – real and fictional.

If you reframe it as “just” a ship war where petty babies are out to police fandom because their ship isn’t doing so hot in the charts –

Who’s going to listen to us?

Why would anyone listen to us?Read More »

“A discipline overrun with whiteness”: #FSN2019 and Making a Statement – A Guest Post

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In April 2019, I was invited by Stitch, Cait Coker, and Robin Reid to be part of a Roundtable on Race and Racism in Fandom and Fan Studies at the PCA/ACA 2019 conference held in Washington DC, USA. The intention was to discuss Fandom and Fan Studies 10 years after the events of RaceFail ’09 to see if things had changed and, if so, how. While I didn’t speak to the events of RaceFail ’09 itself, it did inflect my critique of institutional responses that followed in the wake of a more recent event.
What follows here is a rough estimate of the things I said at the conference, much of which was unscripted. I should note that these are my views alone and that I do not speak for Rukmini Pande, who was also involved in the series of events I plan to discuss.
At the same time, I should also be clear that many of the points that follow are points that fans of colour (hereafter FOC) and acafans of colour (as well as acafans working on critical race theory in fandom) have already noted. In a multiplicity of ways, I am echoing their work, restating it, forcibly reinscribing it as best as I can, and ascribing it as best as I can (and Rukmini is part of this, though again she is not the first).
As previously noted, these conversations have been around for far longer than us, and to assume that we are the first to voice this discomfort, this anger, this complaint (per Sara Ahmed) is to be complicit in this erasure and our own eventual erasure. These are not just my words, this is not just my voice.

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Stitch Takes On… Spider-Man: Homecoming [Audio Post + 2019 Transcript]

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Stitch Takes On - Spider-Man Homecoming

Reuploaded with a new professional (ish) quality transcript!

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All right. This is my review of Spider-Man: Homecoming. You can probably guess that this will have spoilers, profanity, snark beyond belief, and some major Tony Stark hate because I hate Tony Stark.

Let’s get started.Read More »

Stitch Media Mix’s 20 Most Popular Posts

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In case you’re new here or have no idea where to actually start with my posts, here are 20 of my most popular posts from 2015 until (now in order from most popular on down).

Some are popular because angry white people hopped on them to yell at me thanks to getting linked to my posts on reddit and fail fandom anon, others (like the Anita Blake post) are popular because a bigger blogger fish shouted me out.

At the end of the day, these are my biggest posts and the best way to see what kind of writer I’ve been and maybe where I plan on going next.

Thanks for coming on this journey with me, pumpkins!Read More »

Fleeting Frustrations #6: “At Least Kylo Never Lied To Rey”

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Fleeting Frustrations #6_ _At Least Kylo Never Lied To Rey_.png

“I’m not a hero. I’m not Resistance. I’m a stormtrooper.”

That silenced her. He might as well have hit her across the face with the business end of a blaster.

“Like all of them, I was taken from a family I’ll never know,” he continued rapidly. “I was raised to do one thing. Trained to do one thing. To kill my enemy.” He felt something that should not have been there, that was not part of his training, well up in him. “But my first battle, I made a choice. I wasn’t going to kill for them. So I ran. As it happens, right into you. And you asked me if I was Resistance, and looked at me like no one ever had. So I said the first thing that came to mind that I thought would please you. I was ashamed of what I was. But I’m done with the First Order. I’m never going back.” Suddenly he found it hard to swallow, much less to speak. “Rey, come with me.”

– Foster, Alan Dean. The Force Awakens (Star Wars) (p. 222). Random House Publishing Group. Kindle Edition.

I know that this is a “Fleeting Frustrations” post which means that I should be able to get over the grievance I’m airing once it’s been aired, but let’s be real here: when have I ever let go of a single grievance in my life?

I haven’t yet and I won’t with this one.

In this rantypants installment of my grouchiest series, we’ll be talking about one of the Star Wars fandom’s most obvious signs of fandom racism: the idea that Finn’s biggest flaw to some folks in fandom is that he’s a liar… for not telling Rey that he was a Stormtrooper on the run mere moments after she’d beaten the crap out of him for thinking he was a thief.Read More »

Stitch Does Stuff in May 2019

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Stitch does stuff in may 2019

What will May bring my blog?

A lot of catching up.

I did not get a ton of work done in April and most of that was due to my tunnel vision before and after PCA 2019. If you haven’t read my write-up yet, please head on over and check it out!

Right now, almost everything I had planned to do for April is back on the table for May. That includes that month’s Audience Participation post, upcoming “What Fandom Racism Looks Like” posts, and that pesky podcast episode for Patreon.

I’m also going to be using my free time to record narration for my PCA 2019 PowerPoint as well as a WFRLL piece on k-pop fandom’s antiblackness. Both will be Patreon-first – with the PowerPoint open for all levels and the WFRLL piece having snippets at the $1 level and a final/finished draft at the $3 level.

I’m still trying to catch up with email as well – sending and replying to them – so if you haven’t heard from me in a while, you will in May. I have a list and everything.

One reason my time will be tight in May is that I’m two days into a new job.  (Thanks, Dionysus!)

I don’t know what the rest of the month will bring, and I live in a state that can fire you for anything, but it’s a job that’s pretty much right up my alley and will allow me to stretch my writing and marketing muscles. We’ll see how it goes and I’ll definitely figure out a way to balance my work-life-writing balance as I get more comfortable with the job and used to waking up at 6am.

But I’m happy right now and I’m going to do my best to be financially stable and get all my writing done.

Now that the goopy stuff is out and about: here’s what’s on the menu for May.

Fair warning, a lot of these are well… leftovers.Read More »

Post PCA 2019 Analysis

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Post PCA 2019 Analysis.png

Off-hand, I have a list of a few words that I think apply to my experience at PCA 2019

Community

Validation

Cannibalism

Expensive

First of all, while I was surprised that folks in fan-studies gave two shiny cents about me when I was at PCA back in 2017, that was nothing compared to this year.

Y’all. I had meetings (like two, but still). I have a mentor. People were happy to see me and wanted to see more of me as a person and as a fan-studies person. Hell, I went to a panel on k-pop (more on that in a minute) and when I was poking holes in the one panelist’s argument, there were several people in the audience who referred to me by name and like…I’m just gonna believe that they all knew me beforehand and didn’t read my nametag beforehand.

Then, the validation.

Generally, the reaction I get to my work on fandom racism and racism in media… isn’t great. If it’s not coming from my friends and followers, there’s a huge chance that it’ll be antagonistic and unkind. (Like I detail in this thread.)

Coming to PCA and having people not just excited for my work, but excited to see what else I’m planning on was amazing. People told me that they reference my work in their work or use it as an example of accessible academic writing (that was Kathy Larsen, in the Future of Fan Studies Publishing panel).

Multiple people told me that folks in their fandoms/fan spaces are like “oh, you’re into this thing? You should read what Stitch has said about it” in a positive way.

Like… it’s all very validating considering that outside of this space, folks… don’t like me very much because I talk about fandom and race.Read More »

What Fandom Racism Looks Like: Woke Points For What?

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Woke Points For What_

In and outside of fandom spaces, performative allyship is a thing to be wary of.

In a piece for The Wooster Voice, writer Sharah Hutson describes performative allyship as, “when folks pretend to care about a cause but magically forget to keep the fight going outside of certain spaces”.

We’re talking about people who only seem to care about the plight of the underprivileged when it looks like they can get something out of it.

You know, like folks who record themselves helping disabled people cross the street, people who post about how they helped the neighborhood homeless person get breakfast on social media, and white saviors who travel to Uganda and Haiti to “help” but are really just participating in imperialistic voluntourism that does so much more harm than anything else.

These people may mean well and they probably even see themselves as actual allies, but their allyship seems skin-deep and conditional on the attention they get or the marginalized people’s compliance and subservience. The second they’re no longer getting praise or when the person or group they’re trying to help isn’t compliant, the person in question stops being an ally.

But you know what’s not performative allyship?

A Black person in fandom talking about what they find racist in a piece of media or fandom space.Read More »

Queer Baiting, Coding, Reading, and Representation: A Pint-Sized Primer

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Queer4 Header 2.png

This is a pint-sized primer about the differences between queer representation, queer coding, queer reading, and queer baiting because I wanted to have something small to keep around and kind of… wave it at folks that want an easy way to know the difference.

This is literally the simplest I could make this (because I’ve got dense academic brain) and so it skims over a lot of crunchy academic writing to make its points and be as clear as possible.

If you want more in-depth texts or conversations about this, I personally love the late Alexander Doty’s work along with Harry Benshoff’s Monsters in the Closet, but there are a bunch more academics and whatnot writing about this in media fandom and related academic fields. I’d be happy to point y’all in the related directions.

Read More »

Fleeting Frustrations #5: K-Pop Groups’ Hood Phases

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fleeting frustrations #5 - hood phases from folks who've never been to the hood

I’m gonna be honest here: If the first thing I’d seen from BTS had been their super cringey, wannabe hood phase back when they’d first debuted, I probably wouldn’t be able to give a shit about the group now.

To this day, I still can’t make it through the group’s videos for their early singles “No More Dream” “We Are Bulletproof Pt. 2” and “N.O” without cracking up until I start wheezing.

And that’s before we get into group leader RM’s cringe-worthy and super appropriative hairstyles during the early days (like his pseudo-fro in the first two videos or the 3B/4A curls and dreads he appeared to be rocking pre-debut thanks to what I’m told was a perm). (Here’s a timeline of some of RM’s hair hits misfires EXCLUDING the curls – which are apparently the first image at this link.)

BTS hit the ground running as a faux-hood group. Their whole thing was like… setting them up as this socially conscious street gang. Everything about their look in 2013 was this manufactured look that showed what K-pop stylists and folks in the industry viewed as a path to proper hip hop.

Their look, their style, and their sound was pretty much what happens when you take an approach to hip-hop that sees Blackness and Black people as commodities to be transplanted onto and consumed by non-Black people.Read More »

Stitch Does Stuff in April 2019

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Stitch does stuff in april 2019

March sure was a month…

I spent the last half it in a fog for a variety of reasons – job interview that went well not going anywhere, reawakened fear that I’ll never get financial stability, screwing up a job opportunity that I did get, and an anxiety + depression combo about being a burden to my friends and family – and it wasn’t great.

I didn’t quite get everything done that I wanted to do and since this would be the third month for a few of those things… I think it’s a sign that I should scrap them for the time being. (“Them” being the Nakia and Mariah posts as well as the one on the nobility.) They’re just not clicking in my head despite how interesting I find them so I’ll be taking them off my writing roster for the time being.

This month is going to be a very busy one offline. Both of my parents, my small niece, and one of my older brothers have birthdays this month and on top of that, I’ll be in Washington DC a whole week for PCA 2019 thanks to a Fairy God Academic who’s made this whole experience possible and really helped keep me afloat as I’ve been struggling. I’ve never been to DC and the last time I went to PCA was in 2017 so I’m just going to be a Mess.

ARGH!

Anyway, because I’ve got a lot going on this April, I’m trying to take things a little slowly and be gentler on myself when it comes to writing and creating content.Read More »

[Guest Post] Searching for Black Mothers: Looking in the Margins of Black Panther and Into the Spider-Verse

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This awesome guest post comes courtesy of Samira Nadkarni! Images in the header are from ComingSoon.net (Spider-Verse) and KissThemGoodbye.net (Black Panther).

Guest Post - Mothers and Margins.png

Earlier this week, I read Zina’s post on Spider-Man: Into the Spider-Verse, the character of Miles Morales, and the idea of authenticity. While agreeing wholeheartedly with the post itself, I found myself struggling to articulate my current position, which is that while these films construct nationalistic racial and cultural narratives in ways that allow for reclamation and representation, the process of these claims seem to hinge on specific connections between fatherhood, masculinity, and nationality.

While women are present, and while mothers are present, they’re somehow not part of that narrative. This is a complex and confounding thing because these films aren’t being positioned as inherently patriarchal or lacking in female characters, yet the underlying implications of its narrative suggest extremely traditional patriarchal ideology.

My hope is that I can briefly trace this out here, and maybe that we can consider the ways in which films like Into the Spider-Verse and Black Panther centre Blackness, authenticity, heritage, a coming into oneself, and national identity, while also seeing how this amazing intergenerational space is somehow all about Black fathers and isn’t necessarily leaving a whole lot of room for Black mothers.Read More »

Looking Back: The Authority Volume 1 (Issues 1 -12)

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Note: Depending on the format of the source media and what makes organizing my thoughts easier, the overall format of this blog series will be flexible to accommodate that! So this first, comics-focused installment of In Retrospect won’t be repeated for (as an example), me talking about an episode of “Smallville” that stuck with me.

I do not claim to hold the copyright to The Authority or the images in this post. I may own copies of the books, but that’s it entirely.

Content Notes: references to racism, misogyny, colonialism, fascism, and homophobia

Looking Back - The Authority.png

I got into The Authority right around the time that DC shut the doors on the Wildstorm universe for what I thought might be the last time.

A dear friend in the DC fandom, Sasha, had gotten me into the series after seeing me comment on fanart of Apollo and Midnighter with the kind of excitement that really only comes from getting to call a character “gay murder Batman” and pointed me in the direction of the series and some of its best arcs.

I started with Warren Ellis’s second volume of Stormwatch (which introduced the characters that’d go on to be part of The Authority and went on from there. It remains one of the series I reread as often as possible because the storylines and characters are just flat out fun to fuss over.

With DC’s The Wild Storm reinventing all of the characters from this run, I thought it’d be a perfect opportunity to look back at the first twelve issues of The Authority. What was so awesome about Ellis’s first run and why is it that Mark Millar and Frank Quitely’s following turn on the series so dang distressing?

And above all: does this series still deserve the hype in my head?

The Authority Cover.jpg

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Spider-Man: Into the Spider-verse and Miles Morales: Spider-Man: When Authenticity Matters

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Miles Spidey Sense.jpg
COPYRIGHT: © 2018 CTMG, Inc. All Rights Reserved.

INT. MILES’ APARTMENT – BEDROOM MILES MORALES draws HOME-MADE STREET ART NAME-TAGS at a desk, headphones on, singing along to a song he’s too young for (”Sunflower”), but he doesn’t quite know the words yet.

It’s no secret that part of what launched Into the Spider-Verse into the stratosphere and gained it tons of love from critics and audiences alike was how, for an animated movie starring superheroes and a cartoon pig from another dimension, real and relatable a film it was.

Spider-Man is one of the most relatable superheroes out there and when he’s not relatable, you know he’s not being written well. Even in the recent Spider-Man video games, little and large things alike serve to make you feel like you get insight into Peter Parker’s familiar life. Sure, he’s a superhero that swings across the skyline saving folks from all kinds of crime, but he’s also a nerd who loves his aunt and gets distracted by cool weird things and makes bad jokes.

Peter has had decades of being written to be relatable. Recently, he almost always feels like an authentic example of a millennial trying to make it work in New York.

Miles… hasn’t exactly had that.

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