[Signal Boost] Boyega Brigade Boost for Theatre Peckham

From the GoFundMe:

“I admire Theatre Peckham’s continued mission to increase diversity in the creative industries, inspiring young people like myself to be the change we want to see in this industry.” — John Boyega

Hey, fellow John Boyega stans! John put his heart and soul into bringing the amazing Finn to life in the Star Wars sequel trilogy. Many of us who never saw ourselves in major sci-fi franchises found a champion in Finn’s journey from slave to hero. John told us from the door that he lives, breathes, and bleeds Finn, and his dedication to the role and to his fans have been a high point of the entire series.

In honor of his fantastic portrayal of Finn — and the effortless cool, poise and sense of humor he maintained offscreen — we’re raising money for something near and dear to John’s heart — Theatre Peckham, the South London-based training theatre company where he was a featured player from ages 9 to 14, and of which he became a patron in 2016. The group recently unveiled a mural  of John, and as a patron, he has helped TP kick off its 2020 fundraising drive to celebrate “talent that has come from Peckham and looking towards the future of those who will become.”

All money raised here will be sent directly to Theatre Peckham in aid of its programs and its mission of building a diverse talent pool for creative industries. Since 2020 is the year that John brought in with a bang, we’ve set that as an initial target.

(TP takes donations in pounds only, so this will work out to about 1600 GBP depending on currency exchange. If you feel most comfortable donating directly to TP’s donations’ processor , that’s cool too!)

Please consider donating to this worthy cause if you can. Thank you!

Boyega Brigade Boost for Theatre Peckham

For me, John Boyega’s performance as Finn changed the game.

I wasn’t a die hard Star Wars fan before the sequel trilogy. I’d liked the franchise, sure. But I was well in my teens before I saw all of the previous films. I didn’t have opinions on favorite characters or any of that. I saw a cool space opera and that’s about where it went for me. I wasn’t invested.

And then John Boyega, my Attack the Block bae, gets cast in The Force Awakens and I pretty much got sucked into further fandom-ing for him – but also for Finn. Finn remains a character I adore and who I would love to write some day. I’ve seen myself in him and I know many other John Boyega fans and Black people in the general (non-nerdy) audience did too.

Like Em says in the description for the GoFundMe above, “Many of us who never saw ourselves in major sci-fi franchises found a champion in Finn’s journey from slave to hero.”

As far as I can remember, there are only four Black people playing human characters in Star Wars. John is the first to be a main character. That he’s playing a character with as much power and potential as Finn – who broke his own conditioning and rebels against the fascist First Order that took him away from his parents…

I get chills thinking about it.

I am a huge John Boyega fan and that’s why I want to ask that my friends and followers alike donate whatever they can to this GoFundMe and share it with anyone that might be interested! This way, we can all show our appreciation to John by can supporting the place that helped set John on his path to stardom.

Let’s help light the way for future generations of actors to find themselves and practice their craft at Theatre Peckham!

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Supporting Stitch’s Media Mix in 2019

how to support stitch's media mix 2019


I’m Stitch and I’ve been running Stitch’s Media Mix since March 2015.

I created my site as a place for fandom and media criticism after being frustrated by my inability to find a safe, welcoming place where I could be a part of these conversations in the fandoms that I was trying to participate in.

I love being in fandom and I love the act of being a fan, but I feel as though there’s room for improvement that is always being overlooked. I’d love to be able to change certain things about the overarching institution of fandom, but for now, I’ll settle for educating and snarking my way along as I figure out how to bring change to and spark conversations in my main fandoms.

Using my academic background – a BA in History and have my MA in English/Literature – alongside my experiences as a queer Black person in fandom, I try to tackle the media I consume and the fandom spaces I inhabit from a critical and faintly snarky angle.

I use my website to host my writing: media critiqueanalysis of fandom tropes and trendsbook reviews, and the occasional bit of original fiction.

My focus is on talking critically about the media folks create and consume in order to forge a path towards making fandom a more welcoming place for marginalized and underrepresented groups of people.

I want everyone to be able to have a seat at the proverbial table without it being pulled from underneath them. Continue reading

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What Fandom Racism Looks Like: Weaponized White Womanhood

Content notes: As with a majority of my pieces, this one focuses closely on antiblackness including the antiblackness inherent in weaponizing white womanhood to excuse dogpiling and slandering John Boyega as a misogynist, as a potential sexual predator, as a bunch of other gross and untrue things. I talk briefly about some examples of Rey/Kylo fics from the fandom’s past including non-graphic (I believe) mentions of sexual assault and include links to a recap of one and an image of the other.

White women have most (if not all) of the actual observable power in transformative fandom spaces.

White women are the image of the typical “fan” in Western transformative fandom spaces.

They are frequently the most popular Big Named Fans (BNFs) in online spaces, the people who dominate discussions about and displays of Being A Fan. If you’re in transformative fandom and you see a particular set of headcanons or a white dude slash suddenly get supremely popular out of nowhere, chances are that a group of white lady BNFs are behind it.

White women in fandom often get to “graduate” from fandom, dominating what we and outsiders think about transformative with staff writer, researcher, and professor jobs that they can tie directly into their experiences and time in fandom.

(Look at the overarching fan studies academic field for an example or fandom-focused journalism on sites like WIRED, The Daily Dot, The Nerdist, and CBR. Chances are that many of the names you know in these fields, if you know any names, belong to white women.)

With that much power already, it can’t be a surprise that many white women in fandom will do pretty much anything in order to keep the status quo level.

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Stitch on The James Bond Cocktail Hour: Die Another Day

(Part One)

(Part Two)

I love James Bond.

No shame.

Those of y’all that have been around from the beginning of this blog know that I spent half of 2015 writing about James Bond for The Mary Sue. That was incredibly challenging and endlessly fun.

When Hugh and Tim hit me up for this opportunity to chat with them about one of my favorite Bond movies, of course, I had to do it. This was a ton of fun and I really loved every single moment of picking at this film, poking fun at it –

And of course, being incredibly obvious about my deep deep thirst for Halle Berry in this film and forever.

If you miss the good ‘ole days when pretty much all I did was Be Obnoxious About James Bond, grab yourself a nice cocktail (or a mediocre can of wine) and prepare yourself for An Experience as I Die Another Day on the James Bond Cocktail Hour!

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Bad Rap – Better A Second Time?

The quest for authenticity in hip-hop features quite heavily across Bad Rap, a 2016 documentary following the career of popular Korean American rapper Dumbfounded as well as four other Korean American rappers popular in the scene – Awkwafina, Rekstizzy, and Lyricks.

(Other Asian American rappers like Jay Park, Traphik, and Decipher show up across the film in brief segments, but they’re not the focus.)

Directed by Salima Korona, the film opens with some necessary hip-hop history. One of the things I appreciated the first time I watched this documentary was the way it nodded to the impact that Filipino rappers had on the game and gave viewers an introduction to a side of hip hop history that many of us don’t know.

These are rappers that probably WON’T be showing up on Netflix’s big hip hop history documentary series – which sucks because it’s a history we don’t talk about and don’t focus on – despite needing to.

So off the bat, I appreciated the look at these pioneers of Asian American hip-hop and I want to learn more about them. What are they doing now? What do they think of current rappers? Are their flows still fantastic?

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[Stitch Talks Ish] Episode 2: Stitch Talks About The Rey/Kylo Fandom and Weaponized White Womanhood

Episode Notes:


(Incoming, I need someone to transcribe it for me. Let me know if you’re interested because I’ll pay!)

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Introducing Authenticity (Mini-Essay #1)

I sound like a Barbie doll most of the time.

Or Daria.

If you heard me on the phone without knowing anything about me or without seeing my profile picture, you’d probably think I was a sure front runner to play Elle Woods in the musical adaptation of Legally Blonde.

For all intents and purposes, I “sound white”.

I’ve sounded like this my entire life, even when I was a child growing up in the Virgin Islands.

Out of all of my siblings, I am the only one without a recognizable Caribbean accent. If I’m around the right people – my friends and family from the islands or other Black people from other islands – sometimes I sound similar but, it doesn’t happen all that often.

All my life, I’ve struggled with authenticity.

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2020 Patreon Plans

In this video, I cover:

  • what’s coming up over the future of this account 
  • what content you’re guaranteed to get at the different tiers
  • the future of my content period


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Rey/Kylo Shippers: A New Look At An Old Face of Fannish Entitlement

The day after the premiere of Star Wars Episode IX: The Rise of Skywalker (December 16, 2019), I watched a roughly seventy-second-long video of a young woman absolutely losing it over the idea that Kylo Ren – I’m sorry, Ben Solo – probably died a virgin.

I mean, she went on a whole tear about how this was actually about fighting for abuse survivors in the fandom to see someone like them make it to the end of the franchise (hello, Finn exists, binches) but like… at the end of the day, her real big beef with The Rise of Skywalker days before it actually got a wide release was that… Ben Solo didn’t get to plow Rey’s oh so fertile fields before becoming one with the Force.

That sentiment – that Ben Solo somehow deserves to get his dick wet in Rey and that The Rise of Skywalker somehow robbed him of the right to fuck when it’s obvious that he’s the ultimate Space Incel – is featured heavily across too much of that fandom’s response to the end of the film.

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Quick Coverage: John Boyega Ends 2019 With a Bang (And a Hearty 'Fuck You' To Rey/Kylo Shippers)

Note: I have an ongoing thread about this entire situation and the fans’ responses that fully covers the majority of what this fandom’s been up to with John.

In case you missed my lengthy post about how Rey/Kylo shippers really don’t like John Boyega, I’m here to remind you of that fact by covering the sheer unsubtle nonsense that’s been going on in this fandom for the past twenty-four hours.

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2019 General Wrap-Up: Stitch Talked A Lot About Racism In Fandom This Year

There’s something that I’ve learned about what fandom racism looks like across 2019.

Something that makes me think about the future of fandom and my input/output as we inch towards 2020.

Fans of color – especially Black fans – who talk about racism and race in fandom are systematically rewritten in and excised from fandom in order to reframe conversations about race/race in fandom until the only people who are allowed to discuss race and racism in fandom are PIckMe POC who bend the knee to whiteness in fandom and white people who aren’t staying in their lane either way .

Yesterday, I saw one of my (white) mutuals talking about racism in fandom and the importance of listening to fans of color with someone (possibly a fan of color themselves) who seemed receptive to an extent. Thing is? I couldn’t see the tweet… because the person my mutual was talking with had me blocked.

I’d never once interacted with this person. I don’t know this person.

They definitely don’t know me.

But they know about me –


Enough to block me without actually ever bother engaging with me or my work outside of someone else’s screenshots – probably.

This happens literally all the time these days. People will block me in droves – usually because I am critical about racism in fandom, but one time when I said that it wasn’t racist to affectionately refer to Yoongi from BTS as a goblin or gremlin – without me ever once interacting with them.

And the thing is that I don’t expect anyone to let me run roughshod across their timelines. Half of the time, if I’m on one of my other accounts and I see my own content, I find myself getting annoyed. And I wrote those damn tweets.

If you’re out here claiming that you really care about racism in fandom but you and your friends have all knowingly blocked and/or constantly subtweet me, the most vocal Black voices in transformative fandom talking about racism in fandom and you pretty much only listen to sycophants of color who want to cling to their space in your orbit, –

How solid is your anti-racism stance in fandom?

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