A Very Special Unboxing

In super awesome and (probably super surprising) news, I’ve got a gosh-darned BOOK coming out in a MONTH!

Judge Anderson: Flytrap, my second novella and my first work published in a standalone book with my name on the cover, is coming out from 2000 AD in August.

This is a story that was incredibly fun to write and that gave me a chance to flex my writing muscles. I’m so grateful for the opportunity to write in Anderson’s world and I don’t know that I can ever convey how much this opportunity means to me.

If you want to preorder this fantastic (if I may toot my own horn a bit) novella, preorders are open here at the 2000 AD online store and there are just 200 physical copies available!

Judge Anderson: Flytrap

Two hundred floors up on Wormwood Block, in one of the poorer corners of Mega-City One, a cit turns on her neighbours, biting and raging. Just another futsie, in a city filled with everyday tragedy.

Psi-Judge Cassandra Anderson and her new partner take the call. It should be an open-and-shut case, until she tries to read the poor futsie’s mind and finds… nothing.

Somewhere in Wormwood is a predator, setting a trap for people like Cass. Hell of a way to finish her second year on the streets…


Thanks for watching and thanks for (hopefully) reading!

Note: the video Absolutely freezes and then skips a bit partway through – no fault of the terrific teen helping me by holding the camera at all – all issues across the board are my own!

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Supporting Stitch’s Media Mix in 2019

how to support stitch's media mix 2019

WHO I AM AND WHAT I DO:

I’m Stitch and I’ve been running Stitch’s Media Mix since March 2015.

I created my site as a place for fandom and media criticism after being frustrated by my inability to find a safe, welcoming place where I could be a part of these conversations in the fandoms that I was trying to participate in.

I love being in fandom and I love the act of being a fan, but I feel as though there’s room for improvement that is always being overlooked. I’d love to be able to change certain things about the overarching institution of fandom, but for now, I’ll settle for educating and snarking my way along as I figure out how to bring change to and spark conversations in my main fandoms.

Using my academic background – a BA in History and have my MA in English/Literature – alongside my experiences as a queer Black person in fandom, I try to tackle the media I consume and the fandom spaces I inhabit from a critical and faintly snarky angle.

I use my website to host my writing: media critiqueanalysis of fandom tropes and trendsbook reviews, and the occasional bit of original fiction.

My focus is on talking critically about the media folks create and consume in order to forge a path towards making fandom a more welcoming place for marginalized and underrepresented groups of people.

I want everyone to be able to have a seat at the proverbial table without it being pulled from underneath them. Continue reading

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What Fandom Racism Looks Like: James Olsen is Pete Ross 2.0

I’ve talked a ton about what fandom spaces look like when Black woman steps into a racebent role, but not about what happens to Black men who play racebent roles in the same franchises.

If you think that things are any easier for Black men in fandom well…

You’ve thought wrong.

This installment of What Fandom Racism Looks Like will look at how the racism behind how the Smallville fandom treated Pete Ross – played by Sam Jones III – and how, over a decade later, the Supergirl fandom pulls from the same playbook in order to excuse heaping a ton of racism on James Olsen and the black actor that plays him, Mehcad Brooks.

Continue reading
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Stitch Likes Stuff – Stitch’s Favorite BTS’ Songs

We haven’t had a ton of truly celebratory fandom-related content on here in a hot minute and that’s because my critical brain is in overdrive working on various projects.

However, one thing I’ve wanted to share with y’all across my deepening investment in K-pop and alongside the critical work I’m doing about the genre/industry and its related fandom spaces is what I flat out love about it.

So instead of the BTS World review I’d actually planned to try and get out, I’m going to do a post looking at my favorite BTS songs and why I love them. I’m including solo member songs (solo meaning that they’re not a part of the EPs/CDs they put out with the group) in this and uh… you’ll be able to tell really fast what my favorite kinds of BTS songs in terms of arrangements/who gets the focus.

(And on the subject of BTS World: no joke, the game’s a time and money sink and I am surprisingly not captivated by it despite my love of dating sims on top of the frustration. And since I can’t screenshot anything since I’ve got an Android phone – the game lets iPhone users screenshot with a warning ugh – it’s kind of annoying.)

Anyway! Here’s a list of my most favorite BTS songs!

I’m glad I can share this sort of purely celebratory experience with you nerds!

Continue reading
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[Stitch Answers Feedback] What Can Non-Black Fans Do?


The text, from a screenshot of a really cool message I received, reads:

hi stitch! im a regular reader of your site, and i wanted to ask a question that im unsure if you’ve addressed so far or not. having grown up on tumblr from 2011 onward, i definitely feel you hit the nail on the head about the “blank slates ghost” and migratory slash fandom always hyperfocusing on white men. it’s really telling how ships like stucky (while i personally enjoy it) can completely overshadow and create hostility toward steve/sam; i had a friend who got routinely vagued and harassed for that exact thing. but what im wondering is, on the flipside, how can white and nbpoc interact w black characters in ships without being creepy abd voyeuristic? i liked your post about the finnpoe racist fics where finn is always hyper-big and sexualized, that kind of demonstrated some stuff Not to do, but i wonder if there’s more nuance to it? should we accept that black fans will sideye/be more wary of nonblack people getting involved in the slash scene for black characters, or are there more dedicated steps we can take to openly be supportive and non-fetishistic? thanks for reading this even if you dont have much time to answer!!!

I got this message in my inbox a few days ago, but since the email address attached to it looks like it’ll bounce back if I email them back and this is a topic I’m sure many of y’all have been wondering about… I decided to make public! I hope that my anonymous reader sees this and knows that I’m grateful to them for being a longtime reader and for sending this message!

There are two real questions being asked here and I’m going to try my best at tackling them in clear and relatively concise ways.

Now, to the answer(s):

Continue reading
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The Great Big Anita Blake Reread: Sorting Out Shifters

“Peggy, that’s my wife, she’s a lycanthrope.”

The Lunatic Café (Anita Blake #4)

Shapeshifters are people too.

At least, that’s what Laurell K Hamilton is trying to convince us and Anita across the twenty-six books in her Anita Blake: Vampire Hunter series: one of the core themes across the Anitaverse  is the idea that shapeshifters are people and they deserve the consideration that people get.

It’d be an admirable approach to take if not for how Hamilton sets up shifters and their pack dynamics. Shifter society and the dynamics between members in a particular group towards insiders and outsiders – especially if those outsiders are human – really make you question what she’s actually succeeding at.

For this pint-sized primer, we’re going to be talking about the main shape-shifter groups Anita interacts with across the Anitaverse – wolves, leopards, hyenas, tigers, and lions, the lone prey group in the whole dang thing, swans – and why Hamilton’s worldbuilding and her rationale behind using shapeshifters as metaphor for various marginalized identities remains more full of holes than a slice of Swiss cheese.

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Antiblackness in the K-pop Industry and its Fandom Spaces: Introduction

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Anti-blackness is universal.

Outside of maybe a handful of countries around the world, there aren’t many places where I’m guaranteed to be entirely free from anti-black racism. Even my home island of St. Thomas in the US Virgin Islands isn’t a safe space for me as a Black person –

And I grew up there.

Because anti-blackness is so ubiquitous across so many different spaces and how often it shows up in situations where Black people aren’t actually present or involved, I am not surprised at anti-blackness being present out of the blue – to me at least.

I am really not surprised at how antiblackness shows up in the K-pop fandom – because antiblackness is everywhere in fandom spaces.

But there’s something a little… extra about how anti-blackness works in K-pop fandom spaces and how much of that anti-blackness is actually fueled by issues present in the music industry’s consumption and repackaging of Black culture. Continue reading

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Stitch Does Stuff in July

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I love Day Job.

I love being able to get up, come into work, and put together ads or blow through edits on a batch of articles for one of our clients. I love having the chance to use my English MA Editing Skills (TM) to make our marketing department a better one.

What I don’t love is not having time to write.

Sure, I make time as often as I can – if you follow me on twitter, you’ve probably seen my handwritten notes for my upcoming What Fandom Racism Looks Like series – but it’s not enough.

But I’m going to make it be enough… Somehow. Continue reading

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[Post PCA Roundtable Wrap-Up] 10 Years After Racefail ’09: Where’s The Growth?

10 Years After Racefail '09_ Where's The Growth_

This is a wrap-up/write-up of my overall comments during the PCA 2019 Roundtable on Racism in Fandom/Fan Studies Spaces (which I chaired). Feel free to check out write-ups from Robin Anne Reid and Samira Nadkari, two of the other participants on the roundtable.


Across transformative and curatorial fandom spaces, racism is so entrenched in the skeleton of fandom – from erasing fans of color via the ahistorical rewriting of fandom history to killing off or torturing characters of color in fanworks – that to uproot and remove racism from fandom would leave it looking like those floppy cored sheep from the bone vampire episode of Futurama.

PCA 2019 was my second time attending this conference in three years. It was my second time coming into these academic spaces and getting up to talk to a hopefully invested audience about racism in fandom spaces.

But it wasn’t my first time talking about the way that misogynoir works in fandom.

Not in general.

Not even for that day.

(As I’d done my presentation on misogynoir the previous panel session)

Talking about misogynoir and other forms of racism in fandom and media is kind of… my thing.

It’s an aspect of fannishness that I feel proud of working on and where I feel compelled to continue honing my skills. It’s a form of fannishness that I like because I finally have the room and the words to verbalize my concerns as a queer Black person in fandom. Continue reading

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Short and Salty #1: They’re All About The Whiteness

Normally, I keep my saltiest thoughts to twitter or my Dreamwidth account. It’s better for all of us.

However, this salty thought is part of a currently shelved follow-up to my What Fandom Racism Looks Like article on Beige Blank Slates and I figured… “Why Not”.

So, have at it, friends and folks:

Attraction is supposed to be subjective.

This subjectiveness, in fandom, is used to say that attraction and desire can’t be connected to or criticized for on the grounds of morals or politics as if Black people weren’t legally prohibited from marrying outside of our race until the 60s and as if people of color aren’t seen as inviable partners to most white people.

Sometimes, when I look at the fandom darlings that fandom loves – the dark/light haired go-to duos like Aziraphale/Crowley (Good Omens), Merlin/Arthur (Merlin), and Hux/Kylo (Star Wars) – I genuinely question what I’m seeing and how subjective attraction is.

Across multiple Western slash fandoms, when you look at what gets popular and what characters just get the fans a-thirsting one thing stands out to me about their attractiveness –

The most attractive/appealing thing about these guys – or the thing fandom actually finds integral to their adoration – really is their whiteness.

Even if they won’t say that.

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Fleeting Frustrations # 7: Archive Frenzy and Being (Un) Grateful To Our Fannish Foremothers (Stuck In 2002)

Note: This Fleeting Frustrations installment mentions racism as well as fanworks involving sexual violence and underage characters. It’s also not very nice. Obviously.


Fleeting Frustrations #7.png


There are things to love about the AO3. I won’t list them here because I don’t need to. Almost every single piece written about the big ole archive – especially in the wake of its 2019 Hugo Award nomination – has been positive. 

It’s been gushing. 

The AO3 is positioned as a site for queer and/or female exploration and empowerment.

It’s so amazing, these articles and adoring fans write, because it allows queer people and women the freedom to understand their identity and play around with sexual and gender roles as they figure themselves out.

We should be grateful to the grand ole archive because it gives us room to be queer, be women, and to explore kinks and identities that we can’t in real life.

Which is a cool story, let’s be real here.

If I wasn’t a queer Black fan who’s used the AO3 and been in fandom for most of my life, I’d even take those claims at face value. After all, a space for female and/or queer fans is pretty cool, right?

But what about the racism on the archive – in the form of fanworks or in how fans of color have talked about the response from archive staff volunteers have given when they talk about their experiences with racism on the platform? Continue reading

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