I’m Stitch and I’ve been running Stitch’s Media Mix since March 2015.
I created my site as a place for fandom and media criticism after being frustrated by my inability to find a safe, welcoming place where I could be a part of these conversations in the fandoms that I was trying to participate in.
I love being in fandom and I love the act of being a fan, but I feel as though there’s room for improvement that is always being overlooked. I’d love to be able to change certain things about the overarching institution of fandom, but for now, I’ll settle for educating and snarking my way along as I figure out how to bring change to and spark conversations in my main fandoms.
Using my academic background – a BA in History and have my MA in English/Literature – alongside my experiences as a queer Black person in fandom, I try to tackle the media I consume and the fandom spaces I inhabit from a critical and faintly snarky angle.
Last installment, we dove into BTS’ debut single “No More Dream“!
Title: 눈누난나 (NUNU NANA)
The main recognizable settings for “Nunu Nana” are a restaurant kitchen doing double duty as a gambling den, what looks like a loading dock behind a set of shops with plenty of room for a red convertible to serve as the main focus, a building under construction and used for money laundering, and a music show stage.
The car itself is a really notable set piece for me because you have three moments where It’s a huge hip hop focus: in the beginning where Jessi’s on the car and a dancer is throwing her back out in front of it, where Jessi is twerking on it after washing the hood, and then the end when she and Hyori are hanging around and in it.
It feels like calling back to video vixen visuals only Jessi is, across the video, both the star the vixen dances for and the vixen herself and while that could be good… with Jessi, it’s… just kind of funny to me.
The post on Tumblr currently has over fourteen thousand notes and considering how from the jump people were insulting Holly, accusing her of “a homophobic microaggression”, saying “let women like things”… .it probably hasn’t gotten much better. From John Boyega’s interviews and how he talked about why he wanted to be a producer – this film was his production company’s first outing – we knew that the film was going to probably have a diverse cast of characters.
After all, it was a white woman feigning outrage (that she later admitted was a lie) that killed Emmet Till in the first place. But while white readers ordered so many books about white privilege during the summer of Black Lives Matter protests over the police murders of George Floyd and Breonna Taylor that they created a shortage, the majority of books about women’s anger often depict all women’s anger as being equal, a force for good and never a tool used to silence and punish others; they largely ignore the slew of white women having meltdowns at the sight of non-white people having barbeques, enjoying swimming pools, or birdwatching that abound on the internet. Perhaps that’s because the idea that white women’s anger is, has been, and continues to be a source of terror for a lot of marginalized people is simply not something white women, even “good” white women who marched for Floyd and Taylor, are particularly interested in buying.
I think it’s been interesting how I have constantly been accused of anger – when I am at best mildly annoyed and deeply inconvenienced – by white people who are angry that I exist and that I write what I do.
There are a couple main settings for No More Dream. At points across the video they’re on a school bus. At others, they’re in an alley in front of it. At the start of the video, they get off the school bus into skatepark with a skatepark with a quaint neighborhood theme and then a skatepark with classroom… themes.
One thing I like noting within Music Video Anatomy is when a hip hop video doesn’t go with expected settings. With “No More Dream” you can tell that there’s a goal for there to be some clear hip hop connection but then, as you can see on the Behind the Screen site’s entry on the No More Dream music video, there are a lot of nods to what’s basically alt culture that isn’t related to hip hop in the US? Which is pretty cool.
When we last left the lovely losers in Dead Witch Walking, Rachel was bleeding out and a demon sent her back to the church she lives at with Ivy and Jenks. As Rachel is literally moments away from dying, of course Ivy and Nick feel the need to get into a pissing match over her.
Ivy’s all “how could you let her get hurt, I knew I couldn’t trust you” (which… is valid) while Nick is a smug fuck that’s like “You’re not her mom and also you’re totally trying to hunt her. I’m gonna tell her”.
Across Hanguk Hip Hop, Myoung-Sun Song seeks to answer several pressing questions about Korean hip hop – made by and for Koreans in Korea for the most part – and one of the ones that has stuck with me is simple, but pointed:
What is real or original about Hanguk hip hop? (6)
It’s a question that I’ve never been able to let go of as I listen to Korean artists, read translated interviews they’ve done, and watched a really large amount of music videos and live performances from a wide range of Korean artists.
It’s a question that has no real easy answer to me.
Because, if you watch Korean hip hop music videos or even the idol rappers work with their groups or forays into solo work, a lot of it sounds and looks like the stuff I’d be able to listen to on MTV or BET if they still played music videos. A ton of it looks like stuff I listened to in my teens.
I was there for Racefail ’09 and every word you say is a filthy lie. Racefail was a couple of grifters and anklebiting anonymous trolls attacking established authors with false accusations of racism, and people like you — people who’ve never contributed a thing but hatred — made bank off of it. Shame on you.
And I since I don’t want to have Robin subject to replying to this nonsense – and I didn’t approve the comment anyway – I decided to take one for the team and reply briefly to this “feedback” so you could see that you were seen… and found frustrating.
D_Moze… In case you missed it, we are in the middle of a pandemic, seeing racist upheaval everywhere, the US still doesn’t have another president called officially, and some of us are poor because of a bunch of those things.
I can’t believe that this is what you decided to do with your time!
Thankfully, one of my darling social media buddies set me on the right path and showed me what pleasure activism was actually all about. Beyond what that moomoo up there said, the idea of pleasure activism actually does work for me. It’s more aligned with the theorists and thinkers I’ve been consumed by since college than anything else.
And it does not actually support focusing on the redemption of a white man as pleasure activism. That’s not how that works. (But then, that day was when someone compared not wanting a Kylo redemption arc to supporting the carceral state so… that fandom is NOT okay.)
If you’re on social media, I’m sure you’ve seen people show their support of Black Lives Matter as a movement while making it clear that they don’t give a damn about Black people in “their” spaces.
The folks in fandom with #BLM in their bios or in their display names who tweet snide and shitty things about Black people in their fandoms. The folks who use their – or their celebrity or political favorite’s – donation to charity to say that they care more about Black people than… Black people do. Fans, businesses, and celebrities known for literally making Black people stress out from how they talk about us all were performing anti-racism and professing to be ready to unlearn antiblackness.
Even SM Entertainment got into the swing of things when they released a statement in June about how they were “new to the conversation” (despite hiring Black people to dance, write, record demos, etc for them for decades).
0:01 So, we’re on episode 8B of Stitch Talks Ish. This is the second part of my virtual concert experience, recapping the second night of BTS’s Map of the Soul ON:E performance. If you were unsure, this is the concert that effectively takes the place of the concert I was supposed to see in May.
0:27 Heartbreaking, isn’t it? We’ve all lost lots of opportunities across this pandemic and not getting to see a concert sucks, but it’s not the worst thing that could have happened, or that even has actually happened, to me and my family— so far.
0:43 But, it was another really great night of paying attention to BTS, and kind of checking out of what was going on in the world around me. So, if you’re ready for another post concert recap, here’s the recording I made right after the concert ended on the 12th. I believe, no, the 11th of October.
No matter what you actually shipped, chances are that it did not end the way that you wanted it to. In my case, as a serial multishipper, the last half of the series was basically just a constant barrage of “yeah your ship ain’t happening” that didn’t even let up in the final episode. Between the nonsense from the fandom where a huge chunk believed firmly that shipping anything other than their ship was pretty much a sin and another chunk of the fandom went on to be the incredibly icky pro-shipper “anything goes except critical thinking” folks… I get the creators’ response to an extent. Doesn’t mean I like it though.
(A lot of being in the VLD fandom and watching the show as someone who for once wasn’t a weirdo was feeling like we were being punished for the weird shit that other people did??)
Anyway, one of the ships that I found myself interested in specifically because of a) they were pretty and I’m shallow and b) it had potential to be subversive and sexy (in fandom, not the show… a children’s cartoon) was Lotor and Allura. So in this installment of Ships ‘n Shit, we’re going to talk about Lotura, a little ship that should’ve…
Artist: pH-1, HAON, Woodie Gochild, Jay Park, Sik-K, TRADE L, Big Naughty
Setting: This music video – which does double duty as a lyric video – is set in a Mexican restaurant in what appears to be a strip mall. It’s different from the go-to setting that several past H1GHR Music artists have gone with in their hip hop pasts – high school gym, dark alleys, night clubs. The novelty of the setting works for the song… mostly.
0:03 I think this is officially episode eight. The episode looking back at BTS’s releases from Dynamite, their Japanese release Map of the Soul: The Journey, and anything else that I didn’t cover in my last two BTS album related episodes – that’s still in the pipe works. I’m lazy, so – and busy – so it is taking me a little bit longer than I expected to get to that.
0:39 But one thing I have gotten to do in October is watch a BTS concert.
0:46 Like everyone around the world in 2020, all live music entertainment has kind of ground to a halt unless the artist you’re interested in is doing virtual, digital – on tact, I believe is the term many Korean artists are using – performances where it attempts to forge digital intimacy with a global audience.
1:14 So I’ve seen four concerts so far: Wonho’s kind of debut concert, his solo concert after exiting Monsta X-, A.C.E.’s virtual concert which is my second A.C.E. concert, because I saw them live in December 2019, and again two BTS concerts, both nights of the Map of the Soul ON:E concert.