Last year, I said I wasn’t going to do this again.
I made a whole thing about it.
I was going to pretend that y’all were capable of seeing a racebent character – usually played by a Black character – and not going into a frothy rage. Y’all were going to pretend that it’s not about race, but that redheads/blonds/people with freckles all deserved representation that couldn’t come from a Black person in a wig or with a stellar dye job playing them.
Read More »Abstract Black Women, Hated: Layers of Misogynoir in Fandom Spaces As fandom spaces become even more active in asking for and creating positive representation about underrepresented identities (i.e., disabled people and queer people), one notable weak spot in fandom representation politics revolves around the reception towards and portrayal of Black women in fandom. Black female […]
Spoilers abound in this unboxing of my first box from @fromkoreawithlove_. This box was a sweet treat for myself and a great deal over on Crate Joy.
All of the stuff in the box was fantastic and I’ll definitely be sticking around for another month or two.
I’ll also be taking photos of how I put this awesome stuff to use in my day job and planner. Keep your eyes peeled, pumpkins!
I know what you’re thinking: this my third or fourth “Fleeting Frustrations” post in a row to talk critically about fandom or something a particular fandom does. I know it doesn’t seem all that fleeting and well… you’re right.
Because every single time I try to settle in the squee and have fun in my fandom(s), I’m reminded that Black people and characters aren’t respected in fandom.
This latest incident?
A Black Panther post-film story that pairs M’Baku up with a white female reader and portrays the Jabari as primitive and an author who apologizes to the person who requested the story – not the Black fans rightfully offended by the racist fanwork.
I don’t know about y’all, but I am tired.
Read More »If you’re online, you probably have heard about the incoming talent for SNL’s future lineup.
One new face was Bowen Yang, who’d be the first Asian performer on the show’s regular lineup in its 44 year history. Another was Shane Gillis, a comedian with a reputation for using racist jokes and other offensive statements as part of his act and in his personal conversations on his podcast.
One of the Democratic candidates for president, Andrew Y@ng – who aspires to appeal to whiteness at pretty much every step of the way – received some of Gillis’ ire as Gillis used a racial slur to refer to him earlier this year. He addressed Gillis’ racism in multiple tweets earlier this week/end.
One part of his response to Gillis’ racism towards him and other East Asian people was to compare racism towards East Asian people and the reaction from the general population when racism happens to Black people, tweeting that, “If Shane had used the n word the treatment would likely be immediate and clear.”
The idea of anti-blackness like a minor celebrity using the n-word being met with “immediate and clear” punishment is laughable.
Read More »Titans was the reason why I signed up for DC Universe in the first place way back when the platform was first announced. I’d been in the DC fandom as a fic writer and frequent shouter, so I was prepared for the worst with the show… but I wanted to watch it anyway.
For the most part, I really liked a lot of the first season. It has its issues – and, I have like three posts in-progress about it that I may finish eventually and post on here – but for the most part it’s the kind of show that I like. It’s a show made with fandom in mind, not just fans so definitely it has a lot of content that feels tailor-made for me.
So here’s the thing with the first episode of Titans‘ second season: it feels like the finale of the first one. I think that’s because… that’s what it actually was.
Read More »Some commentary on this whole thing and why these conversations are necessary:
The way Blackness is portrayed & performed across kpop is impossible to miss unless you work at being ignorant. Appropriation of Blackness – hair, slang, aesthetic, etc – is infused into the past what… 30 yrs of kpop?
I made a point of making “Cultural Appropriation” one of the main article segments in this series as I was planning it because I got sick and tired of seeing how kpop fandom at large refused to learn and listen – especially to Black fans – about why cultural appropriation hurts.
“But as Americans who shape American pop culture, African Americans’ power is incomparably greater than any non-Americans’, including Koreans’.”
A thing that came up across the research for this segment in TK Park’s quote in the above tweet and several Korean & Korean Americans scholars, performers, and fans is I’ve come across involves them assigning tons of privilege to African Americans because of their US citizenship.
Like TK Park and a ridiculously wide amount of people – especially in conversations about cultural appropriation and Korean pop/hip hop – genuinely seem to think that being Black in the US negates the fact that we live in an antiblack world where we’re oppressed endlessly.
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Sup sweeties?
In case you didn’t know (possibly because you’re not on the US’ East Coast or because you’re not in the US at all), September (the peak month for the Atlantic Hurricane season) started with Hurricane Dorian inching its way up across the Bahamas towards Florida.
While Florida has yet to feel anything resembling its full force, the Bahamas have been devastated due to the storm landing and then stalling as a Category 5 and then 4 for about two days. The images of destruction from the high winds and storm surge that I’ve seen so far are horrifying and the island nation will be recovering from this storm for years to come. (And note that this is just the start of peak season. There are other hurricanes just waiting to form and the Bahamas generally gets some level of storms as the season progresses.)
If you’re looking for a way to help the Bahamas, National Association of the Bahamas is collecting donations. This article from Local 10 in Miami has a list of local donation drives and other places collecting financial and physical donations and I’m sure there are other official sources that’ll come up once the Bahamian government is able to see exactly what it needs.
If you can donate to help the Bahamas, please do.
Now on to the less serious stuff: September will be shaped by what storms we get and how much work I can get done before the storms start forming in seriousness after September 10th. So, while my goal is to stick as closely to my schedule and get content out when they’re supposed to be out, hurricane season is not on my side.
Read More »ETA: I legitimately have NO idea what this hurricane is doing or when it’s doing it. Right now it’s off the Florida coast pummeling the Bahamas and it’s supposed to go north at some point today. Who the hell knows. But for the time being, I guess I’m on hiatus from my hurricane hiatus?
wild.
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Grayson was a series primarily created by the writer duo of Tim Seeley and Tom King with art primarily by Mikel Janin, colors by Jeromy Cox, and letters by Carlos M. Mangual. There are other writer and artist teams across this series, most notably for the final arc once the main workers were placed on other DC books. We’ll get to them in a minute since naming them will be going in hand with me fussing about them.
Following the Forever Evil event that took place across several DC books back in 2013/2014, Dick Grayson’s identity as Nightwing was revealed to the world. As a result of that identity crisis, Dick Grayson goes undercover to hide his connection to Batman/Bruce Wayne at St. Hadrian’s, a private finishing school for female supervillains and spies first seen in Batman, Incorporated. So Dick winds up doing double duty as a spy and as a teacher to the next generation of spies, all going along with Dick’s globetrotting adventures as an agent of the mysterious SPYRAL.
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I’m gonna be real here:
Most of the time, people aren’t creating problematic or harmful content with the intent to hurt other people.
Honestly, even in an age where spite fuels so much of fandom, a majority of people in fandom aren’t creating content based on the negative feelings that other folks inspire in them.
Mostly because well… who has time to spite-create so seriously?
So yeah, when folks write certain kinds of content in fandom, chances are that when they say “I didn’t mean to offend/hurt anyone” that they absolutely mean it.
Read More »If you’ve got some free time and enjoy making your voice heard, swing by this sweet survey and fill out the responses so that you can help shape the future of my site’s content!
While I’m obviously writing a lot of content for myself and that aligns with my own interests, your voices and views matter!
Please let me know what content – here and/or on Patreon – you want to see more of, you want to see less of, or how I can make content you just enjoy consuming in the fandoms you like!
Thank you!
xoxo
gossip stitch
“The harm of cultural appropriation lies in how the people doing the appropriation of a minority group’s culture, removing it from its context, dehumanize the minority group and dismiss their concerns or humanity.”
Cultural Appropriation in the Age of K-Pop
Part One: https://stitchmediamix.com/?p=8351
Part Two: https://stitchmediamix.com/?p=8361
Links
Sundai Love: https://www.youtube.com/watch?v=8IFFkexNZOQ
Melanated Butterfly: https://melanatedbutterfly.com/being-black-in-south-korea/
Different in Korea: https://differentinkorea.wordpress.com/
Another issue in how cultural appropriation of Black culture and Blackness leads people to devalue the culture and people they’re copying: across my research for this essay series – and this installment in particular – one thing that keeps coming up is how little people care for Black members of the fandom spaces and for Black people in general.
One way that they do this is in the way they talk about hip hop and rap.
How many times have you seen people talk about how they didn’t actually like hip-hop or rap until they listened to it from a Korean artist because that version of the genre was so much purer?
I see it primarily with the rappers currently in idol groups, but I don’t doubt that hip-hop artists in Korea who are outside the idol industry get hyped up in a similar way.
Rap from Black USians is always associated with violence, poverty, grasping for unearned power, misogyny, etc.
The image of a rapper to Koreans and to many non-Black fans engaging with this music – especially outside of the US – is someone closer to Fetty Wap in “Trap Queen” or Snoop Dogg in the nineties than Jidenna in “Long Live the Chief” or Janelle Monae and Missy Elliot in uh… anything.
Like there’s no attempt to understand that there’s diversity in hip-hop in the US, that rappers and Black people come from all walks of life and are valid because of it.
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