Ghostbusters Trailer #1: A Major Bust.

Leslie Jones Patty Tolan.jpg

My nine year old niece wants to be a scientist when she grows up. For holidays and birthdays she begs for science kits and star wars stuff (because she dreams of being a scientist in SPACE). She does experiments and uses her telescope every night she can.

She’s also started getting into older movies about scientists and when she heard that Ghostbusters would be coming out with the core four characters as ladies, she was so excited because she would get to see a super cute Black woman onscreen as a scientist with Leslie Jones’ casting.

Except…that’s not what we’re getting, is it? At least, not from the first trailer…Read More »

Flashback Friday : WOC as Props in Pop Music

Originally written in hm… 2013, I think in response to Miley Cyrus, Taylor Swift, and Lily Allen using WOC as props in their videos.


 

Nicki-minaj-beez-in-the-trap

There’s such a huge difference between how WOC and white women treat WOC (specifically Black women because they make the most appearances in hip hop videos and videos poking fun at hip hop videos).

Look at Nicki Minaj. In Beez in the Trap, she was on the floor with the girls. There wasn’t a disconnect between what she was doing and what they were doing.

Missy Elliot may not have dropped down to the floor in her videos, but you always got the feeling that she was proud of her fellow WOC for being badass and beautiful and that’s why they got such a high position of power in her videos.

I honestly can’t remember M.I.A.  ever doing a solo video where WOC weren’t the front and focus of the music video.

Meanwhile, white celebrities thrive over using Black bodies as hypersexualized props in their music videos.Read More »

Fandom’s Huge Race Problem Essay #2: Co-Opted Experiences and Identities in Fandom

Essay 2 Word Cloud

AKA How to appropriate cultures and lose respect in the process


Content notes: Aside from discussing racism in different forms across different cultures, this post also will talk briefly about the Holocaust and Transatlantic slavery. Note that I am AfroCaribbean and my lens is vaguely Western tinted as is much of the racism that I speak of. This doesn’t render my thoughts on racism (especially anti-black racism) invalid, but tends to kind of keep it narrow.

If you want to share your experiences with cultural or historical appropriation in fandom as a fan who is from somewhere else in the world or that has a different cultural background, feel free to message me and we’ll work something out in terms of posting here or on my tumblr.

If you’re arriving to this party a little bit later, head on over to the introduction post for this hybrid essay series so you can get a feel for how things are done here.

Last month, we talked about the techniques of erasure that fandom uses to decentralize people of color in popular media and prop up white (and often male) characters. We covered techniques from rewriting the relationships between characters to distancing characters of color from white characters they’re often shipped with.

It’s been a long month full of conversations about shipping and race. Many of these comments have been insightful and almost all of the responses that I have received so far have been positive.

This month, we’re looking at aspects of cultural appropriation in fandom and the ways that fandom frequently takes the culture and history of real and marginalized people and applies them to white characters.

In addition to defining cultural/historical appropriation and discussing why they’re not cool, we’ll also be looking at specifics like the use of horrific events in history (the Holocaust and the Transatlantic Slave Trade) as background/scenery for ship within fandom, and the Alpha/Beta/Omega trope and how fans tend to coopt and mutate actual history in order to manufacture gender/race –based oppression for cis white male characters.

We’re covering some heavy stuff both in terms of content and density. When talking about this aspect of how fandom gets it horribly wrong when creating fanworks, we’re going to look at:

  1. Defining cultural appropriation in fandom and why cultural appropriation seems small but is a big deal
  2. Defining historical appropriation in fandom
  3. Why certain kinds of Alternate Universe (AU) ideas are and should always be a BAD IDEA in fandom
  4. Manufactured oppression in fandom spaces & fanworks
  5. The way that cultural and historical appropriation in fandom doesn’t necessarily respect or honor anyone.

I know this seems like a lot of text content, it’s all for a good cause. So let’s get started!


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Urban Fantasy 101 – Issues of Immortal Morality-

Welcome to Urban Fantasy 101, where we look at Dos and Donts along with discussions about good and tropes when writing Urban Fantasy and Paranormal Romance stories. Later on there’ll be themed book reclists (AKA – Required Reading) and eventually we’ll even include guest posts from/interviews with published authors writing diversity into these genres.


Urban Fantasy 101 - Issues of Immortal Mortality.png

It’s been a couple of years since I read the last Southern Vampire Mysteries book from Charlaine Harris or watched the show, but one thing that really made the series difficult to consume (aside from well… a lot of other stuff with regard to sexual content) was how the vampire Bill Compton was originally a soldier in the side of the Confederate Army.

I don’t know about you, but I find it extremely difficult to sympathize with or even like a character that fought on the side of the Confederacy. It doesn’t matter what he does in the present day story or even if they’re a current crusader for justice. They were a part of something horrible in history and chances are, that they weren’t forced into it.

I still remember watching those first few episodes of True Blood and just frowning at the way that the townspeople in Bon Temps were fawning all over Bill. I felt so uncomfortable. It wasn’t only the fact that he was a vampire in their tiny town that had them losing their minds, but that he was old enough to have fought in the Civil War – on the side of the Confederacy.Read More »

#FlashbackFriday – Preference and Race in the Dating World

Originally written in 2013 on Tumblr.


 

I hate the word preference. Or at least, I hate the concept of that most people have of it in terms of dating.

I hate that not only has society made it okay for everyone to have a (frankly racist) preference against Black women, but that it’s also socially acceptable to talk about why you won’t date a Black woman… TO BLACK WOMEN.
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Fantastic Beasts & Invisible Diversity in the Harry Potter Series

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For a body of media that seems fixated on different avenues of oppression, the Harry Potter series is seriously lacking when it comes to actual diversity and oppression that doesn’t revolve around magical beings. Seriously, just about everything’s a metaphor for some form of oppression or some facet of a marginalized identity.

If you’re looking for allegories about human rights and racism shown through a lens of magical humans and magical species, cool. That’s what you’re getting.

If you’re actually looking for nuanced interpretations of how race, power, and privilege intersect and affect each other in a world of magic, maybe look somewhere else.

J. K. Rowling’s world isn’t going to be it.

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Things About Fandom That Stand Out to Me

Originally written in April 2015 for the blog Womanist Glasses, I felt that a repost was timely and necessary as I prepare to talk about fandom and blackness in a couple of posts I’m set to post.

I still believe that everything in this post is a sad part of what it means to be in fandom when you’re a WOC, especially if you’re a Black woman and outspoken on top of that. My fandom experience hasn’t been easy and in some ways, it’s been very upsetting to know that a safe space for some isn’t necessarily a safe space for me.


As an outspoken Black woman in fandom who has had truly terrible experiences in what is supposed to be a safe space for me, I’ve noticed a few things about fandom and how it treats WOC as a whole. I’m coming from the DC, Marvel, and Teen Wolf fandoms so while I try to keep things vague, I’m not always good at that.Read More »

“A product of their time” – Observations on racist (but lauded) writers after Octopussy

Octopussy CoverYesterday I decided to use my last Audible credit on a collection of Ian Fleming short stories.

I’m working through Fleming’s original canon very slowly and when I saw that the audiobook for “Octopussy and The Living Daylights, and Other Stories” was read by Tom Hiddleston, I just had to have it. Tom Hiddleston reading James Bond seems like the perfect combination of my interests and I have been talking about how badly I wanted to see Hiddles in a Bond movie. I figured that this was the closest I’d get.

Here’s the thing though: as much as I have complained about the racism in the James Bond films, the books are much worse.

The audiobook does not help. In fact, hearing Tom Hiddleston narrate Fleming’s weird and clunky prose on top of the racism that the first story is rife with is pretty terrible.Read More »

#FlashbackFriday – Stitch takes on the #JamesBond & #00q fandoms

To be fair, when I open a video talking about fandom sucking, it’s easy to understand why I’m not more popular in fandom spaces. I’m not necessarily nice about certain things, but then —

I don’t have to be.

Three years ago, the James Bond fandom let me down big time with how their immediate response to Skyfall was to ship James Bond with basically everyone but Naomie Harris’ Eve Moneypenny. She often wound up pushed to the side as an ex or as a sassy Black British friend who hooked the two nubs up and made them see the light.

So of course, I got pissed. Because this sort of thing isn’t okay.

It doesn’t matter what you ship, but rather how you ship it. 00q isn’t an inherently problematic ship, but the fandom that focuses on him and Bond at the expense of female characters and characters of color?

They’re plenty problematic.

The response to this video (on tumblr at least) was so harsh that I deleted the posts I made without saving them and I basically dropped out of interacting with the fandom. I’m sorry but when you get called ‘homophobic’ for criticizing (not disliking, mind you) a fanon ship, you know things are a bit borked.

I’m posting this #FlashbackFriday video to show how little fandom has changed as an institution. We can do better, but let’s be real: it’s a lot easier not to.

Slash Shipping, Pseudo-Progressivism, and Reinforcing Patriarchal Standards in Fandom

disproportionateHere’s a newsflash for you my fellow slash shippers: Your male/male ships that focus almost exclusively on white men aren’t as progressive or as rebellious as you think they are.

Especially when (not ‘if’) they come at the expense of women and characters of color who have significant intimate relationships with one or both of the two white guys you’re shipping.
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The Techniques of Erasure

Word Cloud - Techniques of Erasure

This is part one of a hybrid essay-rant series focusing on fandom (the collective community) and its intense race/racism problems. If you’re new to my blog and to this project, start here with the introduction post. Make sure to click the links and read the content because they’ll add further nuance to the essay here.

In addition to talking about race and racism, this post also mentions incest (with regard to how fandom interprets familial relationships to suit their shipping needs).


One thing that becomes overwhelmingly clear when it comes to the treatment of characters of color is the lengths that fandom is willing to go to in order to get them out of the way of their favorite white character ships. There are so many techniques that we could tackle, many of them framed subtly enough that it’s difficult to combat them, but for the purposes of this post we’re going to look at five of the most popular:

  1. Distancing
  2. Willful misinterpretation of relationships
  3. Theorizing that a character of color is really evil (and therefore shouldn’t be shipped/the relationship should be placed under suspicion)
  4. Deciding that a character of color in a POC/White Fandom Darling ship is actually asexual and/or a “strong [race/ethnicity] man/woman/non-binary person that don’t need no significant other”
  5. POC reduced to an agony aunt character to get white characters together

Read More »

Fandom. you’ve got a huge race problem — An Introduction Post

poc in fandom image

Sam Wilson. Abigail Mills. James “Rhodey” Rhodes. Eve Moneypenny . Joan Watson.

What do these characters all have in common?

Well, they’re all characters of color in popular films or television shows.

They’re all shippable with fandom’s white dude darlings (Steve Rogers, James Bond, and Sherlock Holmes for example).

And oh yeah –

Fandom constantly desexualizes them and removes them as valid canon or fanon love interests for said white dude darlings so that a white character can swoop in and fandom can have fantastic ships.

Let’s face it: fandom has a major racism problem.

The clearest sign of this is how characters of color and the fans that defend them are treated.

Fandom, we need to do better. We need to talk about the fact that there’s no balance. We need to talk about how either fandom is hypersexualizing characters of color or desexualizing them.

We also need to talk about how fans and characters of color do not get treated well in fandom and yet it keeps getting glossed over as if it’s not a sign of serious racism in fandom. Reduced to drama or ship wars, discussions about the methods that fandom undertakes to deliberately distance characters of color from white characters (either with regard to friendships or romantic relationships) are frequently pushed to the side.

Whenever someone makes a post or writes an article about the way that fandom pushes these fans and characters to the sidelines, it rarely goes well.

I know this for a fact. I’ve written my fair share of those posts and the negative responses have been both intense and immediate.

Even on my previous posts about fandom’s racism problems, I’ve gotten dismissed by people who otherwise seem like they’re great. I’ve had nasty messages sent to my inbox. Fandom friendships have suffered. After a while, you get labeled as a trouble maker because fandom is supposed to be this carefree place where oppression is ignored unless it’s that of actually diverse fictional characters and the fans wanting representation to carry over to the fandom.

Despite that, I’m not going to keep quiet about it.

I’m here to talk about this racism problem in detail by using different fandoms and ships as examples along with my personal experiences and those of fellow fans.

For the next five months, we’ll be looking at how fandom mistreats and misuses characters of color and how fandom spaces tend not to be so safe for fans of color who are vocally uncomfortable with this treatment.
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When the reaction to calling out racism is… More racism?

It’s been two months and I still get the best reactions to my post “Dear Comic Fans: We Get it. You’re racist and racebending scares you.” And by best, I mean that I get some of the most condescending and willfully ignorant responses out there.

Way to prove my point, fellow comic fans. How weird is it that the majority of the people that have sent me nasty tweets or left rude comments on my blog (the majority of which have probably been eaten by my spam filter because it’s super strict) are people who have gotten so angry about racebending and my calling out racism, that they need to react angrily to them?

It’s like they read my post, didn’t register anything, and decided to behave in such a way that validated my comments on fandom’s racist reactions to people wanting or working on more diversity in comic canon or superhero media.

Wild, right?Read More »

“Period Typical Racism” – One kind of historical accuracy in fiction that I wish would go away

Want to throw me out of a story in no time flat?

Include “Period Typical Racism” in a book written after 1989.

(Seriously, I read one Miss Fisher book because it was recommended as a “feminist James Bond” and honestly, I’d’ve preferred to read Fleming’s James Bond books because at least I can go into them knowing that the guy was a racist misogynist.)

The thing about looking at and reinventing older genres like Noir and Gothic fiction, is that you have a duty to reinvent, not rely, on harmful tropes. It’s your job as a writer writing in the twenty-first century to take our century into context. It’s your job to look at what was written years ago and go “no, I won’t do that”.

It’s your job to be better than the writers who were working in the late 19th and early 20th centuries.Read More »

[Rant] Do you even know what the Confederate flag represents?

wpid-imag4289.jpgYesterday my friend and I saw a guy with a big old pickup truck and a pretty large Confederate flag — so of course we took a picture. Not to name and shame, mind you but to remember that there are people all over that are really weirdly passionate about the flag and what they think it stands for.

—–

I’m fascinated by people who argue that the Confederate flag represents their culture or what America should be or “Southern Pride/Heritage”.

Are they even aware of the basics about what that flag means?

For once, let’s not even talk about race (although I could school you so hard on states’ rights and slavery that you’d get a degree out of it). Let’s talk about the very simple fact that people who supported the confederacy and brandished that flag were traitors to the United States. They seceded from the union and fought against the country, developing their own terrible government in the process.

At the heart of it, the confederate flag is a flag of traitors and slave owners who were throwing an extended fit. That it’s flying in so many public buildings is disrespectful and a travesty. It’s a flag that is indicative of a split so terrible that it started the very uncivil Civil War.

If you’re brandishing it, I’m going to assume that you probably don’t know much about your own history. (I’m also going to assume that you’re at least a little bit racist but hey, if it looks like a duck, quacks like a duck, and argues passionately in favor of the Confederate flag’s “noble” history, then it’s probably a racist!)