Tag: ian fleming

My kingdom for a Bond-of-Color

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james-bond-logo-e1446827441643.jpg
Image found here

I’m not going to call myself a James Bond expert or anything so very trite, but I did spend most of last year (and a huge chunk of this year) both having intense opinions on the James Bond film franchise to anyone that would listen and writing an in-depth article series for The Mary Sue about the movies. It’s pretty fair to say that I get the film franchise better than the average non-Bond blogger.

That’s why I’m pretty uninterested in the idea of casting yet another vaguely attractive white guy in the role.

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“A product of their time” – Observations on racist (but lauded) writers after Octopussy

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Octopussy CoverYesterday I decided to use my last Audible credit on a collection of Ian Fleming short stories.

I’m working through Fleming’s original canon very slowly and when I saw that the audiobook for “Octopussy and The Living Daylights, and Other Stories” was read by Tom Hiddleston, I just had to have it. Tom Hiddleston reading James Bond seems like the perfect combination of my interests and I have been talking about how badly I wanted to see Hiddles in a Bond movie. I figured that this was the closest I’d get.

Here’s the thing though: as much as I have complained about the racism in the James Bond films, the books are much worse.

The audiobook does not help. In fact, hearing Tom Hiddleston narrate Fleming’s weird and clunky prose on top of the racism that the first story is rife with is pretty terrible.Read More »

Bond Girl: GoldenEye

Stitch

never had me

This week’s Bond Girl post is about my favorite Bond film in Pierce Brosnan’s run: GoldenEye.

Here’s an excerpt:

Alec Trevelyan betrays Bond (and MI6) while his own feelings of betrayal drive him. Of course. He has the requisite tragic backstory (the death of his parents at his father’s hand in what Trevelyan sees is a direct relation to British betrayal of the Lienz Cossacks to the Russians after World War II.)

Following the dramatic reveal that Trevelyan is in fact alive and well, James Bond feels betrayed because his close friend not only faked his death, but also has decided to betray the country that they grew up in. It’s such a mess.

Add to that how Trevelyan is certainly dealing with jealousy of Bond and you’ve got this tangled web of emotions and everyone’s inability to communicate before going off to enact their massive plans for revenge.

Seriously, there’s a point where Trevelyan sneers at Bond about finding forgiveness in the arms of willing women “for all the ones you’ve failed to protect.” I feel like it’s an especially cutting dig because Trevelyan most certainly would’ve known about Bond’s wife so this perhaps is a way that we’re getting an oblique reference to James Bond’s dead wife Tracy.

Either way, Trevelyan isn’t playing fair.

If you liked this and want to read more about what I liked and disliked about the film, check out Bond Girl: Re-Watching and Re-Evaluating GoldenEye on The Mary Sue site! And comment (if you want) or feel free to chat me up on Twitter about everyone’s slightly sleazy favorite man of international espionage!

Is a James Bond Musical really in the works?

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"Dr No trailer" by Danjaq and United Artists - Dr. No trailer. Licensed under PD-Pre1978 via Wikipedia - https://en.wikipedia.org/wiki/File:Dr_No_trailer.jpg#/media/File:Dr_No_trailer.jpg
“Dr No trailer” by Danjaq and United Artists – Dr. No trailer. Licensed under PD-Pre1978 via Wikipedia – https://en.wikipedia.org/wiki/File:Dr_No_trailer.jpg#/media/File:Dr_No_trailer.jpg

Um yeah?

I hope you’re prepared for me to squee about this for as long as it takes for it to come out. I literally didn’t know I needed this sort of musical until the Independent announced it. Now it’s all I can think of.

It’s like the universe remembered how much I love musicals for things that really shouldn’t be musicals (Bring It On, Legally Blonde, and The Vampire Lestat to name a few recent book/film franchises that got the musical treatment).

I can’t figure out how I feel about this aside from the ear-piercing squee from two of my major interests colliding. I love musicals no matter what they’re about and um, hello, I can’t get enough of the Bond franchise. Even though nothing will ever be better than the original Legally Blonde show, I’m so excited to see where this goes.

What’s cool about this development (aside from how it probably pisses off everyone that hates musicals but loves James Bond), is that it could possibly count as an official entry into the official James Bond canon because the daughter of Eon Productions’ original producer Harry Saltzman is working on it. Sure, it’s a stretch, but okay it’s my kind of stretch.

How do y’all feel about our international ham-fisted man of mystery taking it to the stage and singing his heart out?