Stitch’s Hamilfilm Thoughts

As always, if you don’t like when things you like get criticized on any level… skip this post, beloveds!


My friend K got me into Hamilton.

K and I met in our senior seminar in the history department at our alma mater. She went on to get her MA in History and I went to English  Literature. When Hamilton was getting popular and she’d already traveled to see the show once before, she introduced me to what was (and remains) a stellar musical experience at the height of its early popularity. If not for K, I don’t think I would’ve cared as much as I actually do about Hamilton

Nor would I have a framework to build any critical thoughts.

Fast forward to July 2020 and well, I actually still think it’s a great musical.

However, I also have… thoughts on Hamilton after what feels like an eternity.

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[Stitch Likes Stuff] “Criticism Will Never Be Censorship”

Writers these days are awfully sensitive. I keep seeing published authors – and people who want to be published – wailing on social media about their fear of censorship and how we’re basically just a few bleak moments away from turning to book burning as a society.

Only problem?

When these writers wail about censorship, what they’re generally wailing against is… the right that readers have to comment critically about the content they’re consuming or prepared to consume. Readers criticizing a newly/unreleased book (via an advance copy) for unaddressed problematic or even bigoted content isn’t the same as a government deciding what people can create and consume when it comes to content.

Over on Intersections in the Darkest Visions in her article “Criticism Will Never Be Censorship“, my friend Lyana pokes holes in the very flawed idea that criticism is what’s really wrong with publishing these days… (instead of how publishing allows bigoted, problematic, and just plain flawed content to be bought, published, and promoted without thinking of marginalized fans prior to like… all of that).

It’s an amazing article across the board, but here’s one choice quote from it that should get you on your way over there to read the whole thing:

“Social theory is not something convenient you can toss away the minute it’s no longer profitable for your writing. Media doesn’t stop affecting reality because it happens to be fictional or in a more speculative genre. If anything, speculative fiction can have the most powerful effect on its readers because its foundation rests on the worlds we create, not the world that we currently live in.”

Go check out “Criticism Will Never Be Censorship” right now!

[Book Review] Zombies, Migrants, and Queers: Race and Crisis Capitalism in Pop Culture by Camilla Fojas

Zombies Migrants and QueersTitle: Zombies, Migrants, and Queers: Race and Crisis Capitalism in Pop Culture
Author: Camilla Fojas
Rating: Your Cup of Tea Maybe?
Genre: Nonfiction, Pop Culture, Media Criticism, Race/Racism
Release Date: February 28, 2017

Publisher: University of Illinois Press

Order at: UNIVERSITY OF ILLINOIS PRESS | AMAZON

Note: I received a review copy of this book from the publisher in exchange for an honest review and that’s absolutely what you’re getting.


At first glance, Zombies, Migrants, and Queers: Race and Crisis Capitalism in Pop Culture seems like it should be right up my alley. It’s about pop culture after all, and in-depth critiques of pop culture and placing into specific cultural contexts s kind of my thing.

Unfortunately, and I’m really bummed about this, this book didn’t hook me.Read More »