The Harder They Fall is a really good example of a thing that’s “for us” that’s not really… for all of us.Read More »
I am grateful to fan studies scholars for giving me a name for what I’d been doing before I ever knew that fan studies was a thing. I love fan studies as an academic discipline and I wish that it wasn’t seen as that slight a niche. Fandom is huge and fans are everywhere, so the fact that fan studies as we know it isn’t a bigger and more popular discipline – and that’s the fault of the general academic powers that be crawling slowly towards recognizing it as a wide-reaching discipline that can mesh with other academic avenues, I’d say – is ridiculous.
I could literally go on for ages talking about my favorite aspects of fan studies or the fan scholars that inspire my own work because there’s a lot to love about this discipline. However, this is the second installment of Fleeting Frustrations so let’s save the love-in for a later post. Right now, it’s time to air my biggest grievance with fan studies as a whole – but specifically the parts of fan studies that focus on the identity of fans and their favorite characters or ships.
Fan studies, despite frequently focusing on or having texts written by marginalized people, isn’t exactly great at intersectionality or recognizing that intersectional feminism is a must especially when your fan studies focus lands on gender and sexuality.
Content warnings: This post contains descriptions and images of sexual assault/harassment from the comic that may be triggering or upsetting to readers.
With every reading of Wonder Woman: Earth One, I hate it a little bit more.
Grant Morrison has been working on WW:EO for years.
Seriously, the first book in DC’s Earth One line (Superman: Earth One Volume One) came out in October 2010. In the past almost six years in that same line, there have been three Superman books, two Batman books, and one Teen Titans book. And yet, the least represented version of DC’s Trinity, Wonder Woman, has been pointedly absent from the universe.
Part of it, is because Grant Morrison is apparently a slow writer. He had to get things just right and that takes time. Morrison, like his comic creator peers Alex Ross and Jim Lee, isn’t the best with deadlines.
However, there’s another, more insidious reason to the push back: sexism.