This was originally posted on Patreon! Thanks to my awesome Patrons for giving me feedback across the process and helping me use my words effectively to get the ideas out!
Tackling racism in/from the big institutions within fandom – a Big Named Fan with a 20k following, that fan studies scholar with a book and a bad reputation, or the Organization for Transformative Works itself – is scary. They’re huge, they have followings that they don’t even need to actively weaponize against you, and it’s hard to wear down a big rock in your online community.
So, when it comes to figuring out how to handle racism in your fandom communities and make these spaces inhospitable to racists, let’s start small.
A Black fan: *lightly comments on antiblackness & racist stereotypes in fandom/fanworks*
Everyone else, big eyes shining with racism: you CENSOR queer/feminist fandom? You try to burn our porn like the IfS? Oh! Oh! Harassment for the anti! Harassment for antis for 1000 years!!!
Is this our first text-based meme for this series? I do believe it is!
Rather than me pulling from a photo meme, I jacked the “You kick Miette” meme for my own ridiculous ends. I’m very pleased with the result.
I know a lot of people have been watching the various conversations about what content is “allowed” to be in fandom spaces with bated breath and anxiety – especially as we know that conservatives in the United States and elsewhere trying to ban books about queerness and race/racism. It is documented that the people and stories most often affected and silenced by censorship – even non-governmental – are queer or “non-white”.
In which I cover the current state of racism in queer/feminist fandom. Newsflash: it’s even more racist than previous years and yet, next year will be worse!
In 2021, Fandoms got more racist, so much more racist. Sure, the dude bros’ mad that anyone not like them gets cast and things are up and about, but my focus is on queer feminist Fandom, and friends, it’s a scary fact that so few of you realize how deeply enmeshed open, white supremacist ideologies and languages are in these spaces. Think about how often people use ‘woke’ in a derogatory way, about fans of color talking about racism, and you might start to see a corner of the full picture.
Queer/Feminist Fandom in 2021 has been a place where people are openly racist in the defense of whatever they like or care about in Fandom, it doesn’t matter what they’re into. It just matters that they feel as though their side is the right side, and that justifies being super racist in its defense.
Matt Bors’ “We should improve society somewhat” comic panel turned into a meme where the person on the left says “We should improve fandom somewhat” and the person on the right popping out of the well saying, “Yet you are in fandom yourself & have ships. Curious! I am very intelligent.”
People critical of the institution of fandom in any capacity and with any heat whatsoever are seen as outsiders to fandom. No matter how we deliver a critique, or how gently we suggest that fandom could be a little better, it is received as aggression and violence.
It’s seen as well… anti fandom.
Even when the people speaking are long-time fans, people who’ve lived online and moved through tons of different fandoms, we’re always seen as outsiders, especially when it comes to us talking about ways that fandom can be made more accessible for all of us – instead of just white women and queer people.
In November, I did a lot of content consumption. It was all incredibly interesting stuff! Any errors on my commentary under the pieces are because I did this via a dictation software across the month! 😀
Peter Jackson’s trilogy, while spectacular and ground-breaking in many ways, is glaringly white. Worse, the human villains are all coded as non-white; “bad men” from the East and the South, complete with either veils and kohl, or bearing tribal tattooing and scarification and riding mythical elephants. Worst of all, the inhuman Uruk Hai – muscled and merciless – have black skin and dreadlocks. While some of this British colonial racism and eugenicist thought are a reflection of the source material itself, Jackson made a – possibly thoughtless – choice to remain “faithful” to those parts of the text and even to exacerbate them. As a result, racist fans were not alienated by the films but accommodated, allowed to believe that their extremely racist interpretation of Tolkein’s work was the correct one. The film trilogy benefited from their racist support and everyone involved in it is therefore complicit in the abuse now raining down on series’ cast of colour (particularly the black cast, and more particularly the black women cast). The comments directed at Nomvete and Cruz Cordóva are not generic racism: they are rooted in the racist lore and imagery that Jackson’s films perpetuated. One of most frequent comments on Nomvete’s picture is “better be an Uruk Hai”.
I grew up on Lord of the rings and so growing up in the fandom, I realized very quickly that the negative aspect of Lord of the rings where people of color were absent from the narrative was a bonus for a large majority of the fandom. Unlike the Harry Potter fandom which would go on to racebend characters like Harry and Hermione, the Lord Of The Rings fandom never really took to racebending as a thing they could or even wanted to do. Instead, they seemed really happy to be faced with a version of Middle Earth where all the elves were white, and all of the men were too. The films, that I grew up with, were integral to building a fandom identity as an extremely online tween for many people in English language fandom who are my age at this point.
The problem is that when faced with updates to the franchise where characters might be of color who aren’t background characters or silent extras, the fandom doesn’t have a good reaction. Even before we see who all have been cast within the upcoming series that Amazon is doing, there is a history of Lord Of The Rings fans being upset at the concept of racebending even within their own communities. People who are fan artists or fanfic writers that choose to portray these characters using ethnic groups in our world, can expect to get really rude messages from diehard fans of the franchise. They’re subject to racism, even if they are not of color themselves, because they have chosen to “deviate” from Tolkien’s vision. And we’re told that these are all white men. We’re told that the Lord Of The Rings fans, like the Star Wars fans who raged at The Force Awakens and the sequel trilogy having people of color in relatively prominent roles, are all white men.
But that is not true and honestly, that’s why transformative fandom has a white supremacy problem that I don’t see any way to fix. Because people assume it’s all white men, so white women have nothing to do with any of it. Which leaves them to wallow in the mire of white supremacy in fandom and get worse. Anyway, I don’t know what Amazon will do with their Lord of the rings show or the fandom that builds from it, but I am frustrated that 20 years after the original massive trilogy came out from Peter Jackson, fandom still maintains that they don’t have a race problem even while being publicly and actively racist.
Today in “yeah that’s not what that means in fandom” we have… “trauma work”.
I first saw this crop up either in 2019 or 2020 where the response to “perhaps eventually there should be some kind of anti racist policy for the AO3 that would lead to overtly racist works/creators being yeeted from the platform – even temporarily” from an increasing number of people was to claim that moderating racist work was actually “trauma work” and more harmful for fans of color than… the initial issue of unchecked racist work in these spaces. There was a tumblr post about it and everything that picked up steam back then, and then 2/3rds of the way through September, there were several threads spiraled off a tweet doing that again (you can find a roundup of all of that here at Naye’s Dreamwidth).
Here’s the thing… that’s not exactly what trauma work is.
The “clown applying makeup” meme with the top panel with the man applying base paint saying “Before you talk about racism in fandom as a POC, have you considered fighting and stopping racism everywhere else first?”. The second panel, where the clown has his makeup on, says, “Actually if the AO3 does anything about racist fanworks or behaviors, next they’ll have to take down [nonbigoted thing] and it’ll open them to lawsuits”. The third panel, where the clown is being fitted for his wig, says, “Would you yell at a librarian for the library having Mein Kampf on the shelves? No? Then don’t talk about how the AO3 could do anything about racist content.” And finally, the fourth panel with the fully made up clown, says, “If AO3 tries to do anything about racist fanworks, there goes the entire danmei, anime, and kpop tags”.
Image A: The “Don’t make me tap the sign” meme with bottom text that reads: “Declaring that the real problem with how we talk about racism is “angry” POC and not racists harming and harassing them is… racist. Bitch.”
Image B: The “Don’t make me tap the sign” mtoeme with bottom text that reads: “If you’re angrier at POC in any fandom for being “mean” – cussing, snarking, etc. – when speaking about racism in fandom than you are at racists for BEING RACIST IN FANDOM… you’re a fucking racist.
Why do racists keep getting to define the rules of engagement? Why do they get to position themselves as neutral and unbiased, when they’re clearly biased in favor of white supremacy in a given space? Why is it that racists get to declare POC “too angry” to listen to and have people listen to them instead… As they angrily insult the “too mean” POC simply asking people to stop being less racist. Do people think this isn’t their entire goal? To make listening to anti racists/stopping racism in any space or capacity too hard or scary to do.
It’s wild that we have to be nice to racists… or else they won’t listen to us? Because kindness is so important to them.
Apparently.
Except… have you ever noticed that the people who insist that conversations about racism just have to be done at their tone and in a way that they’ve previously signed off… are some of the nastiest assholes on the internet?
The best way to defeat bigotry is to politely tell them that you disagree with their views. Anything else will only help them.
If this sounds ridiculous to you, know that it also sounds ridiculous to me every time I hear versions of it.
It’s been a while since we had a fandom racism bingo card. Last time, it was my partially tongue-in-cheek one about the fandoms for Korean pop and hip hop with a heavy tilt towards cultural appropriation and antiblackness. This time, like it says on the label, it’s about misogynoir in fandom.
As always, I do look towards my fannish past with this, and I recommend people learn their fandom history about the nature of bingo cards to deliver understanding of/clown on tough topics… like this one about racism in the immediate aftermath of racefail 09. It’s not an inherently “anti” thing unless you’re one of the extremely fandom-minded individuals that believes criticism of fandom at any any level or with any sharpness is automatically “anti fandom” in action and if you think that… well.
Anyway, one statement that lives in my mind on the regular comes from a speech Malcolm X gave in 1962 at Ronald Stokes’ funeral where he said that
“The most disrespected woman in America, is the black woman. The most un-protected person in America is the black woman. The most neglected person in America, is the black woman.”
Fandom, especially when it comes to antiblackness, is not exempt from the issues that plague the wider world.
In fandom, misogynoir is accepted as a thing people do and it always has been acceptable in fandom at large regardless of how much people claim fandom as a space for women. Despite the perception that queer/women’s fandom is super progressive, it’s become increasingly clear to Black fans in particular that that’s far from the case. Misogynoir – aimed at Black fans, celebrities, and characters – is an acceptable norm in fandom and something that isn’t just defended, but that has become a bonding activity on a level that even sees other Black people partaking in it to build and maintain community bonds, not just non-Black people.
NOW BEFORE WE GET INTO THE EXPLANATIONS, PLEASE NOTE THAT IF YOU’RE SENSITIVE AND NEED PEOPLE TO BE NICE WHEN COMPLAINING ABOUT RACISM THEY SEE AND EXPERIENCE, THIS IS NOT THE POST FOR YOU.
Back in 2019, I wrote What Fandom Racism Looks Like: PickMe POC to talk about trends I’d been noticing in transformative fandom – queer/women’s fandom focusing on creating transformative fandom works to (re) claim the text as their own – where some fans of color would trot themselves into the line of fire and set themselves up as racists’ first line of defense from “mean” people of color who dare to talk about racism in fandom.
I got my friend Odawel to talk about one of the big things they learned from the Fire Emblem fandom and how it speaks to the way that white people in fandom can miss big bad issues in plots on their way to stanning certain characters!
When I say I’m a diehard Fire Emblem fan, I mean it. I’ve played almost every single one, most of them upwards of twenty full playthroughs, and I could probably recite the entirety of Path of Radiance to someone line by line if I was pushed.
That’s why when I heard about the combat changes for Fire Emblem Three Houses, I held off. I wasn’t sure I wanted to play something that altered the core game mechanics, but then one of my white friends told me, “Hey, I played it, and it’s definitely different, but it’s still a Fire Emblem game. And let me tell you. You’re going to love Dimitri.”
Content Notes: descriptions of police brutality and violence from law enforcement that includes sexual violence and violence against vulnerable people like children. Screenshots that mention harassment that include racism, threats, harassers urging people to self harm, and doxxing.
I also swear a lot and in a way that can be read as “at” the people who pull the nonsense I’m talking about.
Anyone who is seriously using the word "fanpol"/"fan police" to write off conversations about racism in fandom and in some of the works hosted on the AO3/the racism done on the platform and in defense of it… Really cannot be taken seriously imo (& might be racist tbh)
Genuinely, I can hardly think of a clearer example of what fandom brain rot does to a person than the repeated insistence across multiple fandoms that ACAB – “All Cops Are Bastards” – somehow includes people on the internet who are critical of fandom at any level including just… being critical of racism in fandom and media in public.
The thing is that yes, ACAB as a term existed well before the horrific events of Summer 2020, the time period when lots of people on your social media feeds decided to put the acronym in their bios and display names for the first time… But it has never revolved around anything other than rejecting the violence that law enforcement/policing does as a system.
Something is very, very wrong in American police culture. This is why the saying “ACAB” — or “All cops are b*ds” — has become a popular rallying cry. It doesn’t actually mean every single cop is a bad cop, just like saying Black Lives Matter doesn’t mean white lives don’t. “ACAB” means every single police officer is complicit in a system that actively devalues the lives of people of color. Bad cops are encouraged in their harm by the silence of the ones who see themselves as “good.”
Holding one police officer accountable every time a black person is killed by police is not enough. The issue isn’t “a few bad apples”; it’s a tree that is rotting from the inside out, spreading its poison.
ACAB serves as a punchy shorthand referring to the way that there can’t be such a thing as “good cops” in a field fueled by violence including fatal antiblackness, sexual violence, theft, bigotry beyond all of that, and just… an entitlement to other people’s lives in literal cases.
I understand that with this somewhat valid fear of random people harassing others over fandom – a thing that happens no matter what you’re into – it is tempting to not just accuse people of policing your fandom experience… but to compare them to the real police.
“Fandom police” as a term has been around for ages too… but it’s the way it’s being used now to refer to fans as actual cops that’s literally the problem.
Hello Stitch’s Media Mix readers! My name is Amanda-Rae Prescott (she/her/hers) and I’m a Black and multiracial fan of period dramas, Doctor Who and other UK TV from New York City.
Racism in period drama fandoms can take many forms, but one form that’s very easy to spot are complaints from racists after new productions announce Black actors in traditionally white fictional character roles. Due to the success of Hamilton, Bridgerton, and other diverse-casted series, more production companies in the UK are adapting racebent or color-conscious casting. (Many of these series still have white writers and/or few Black people or other POC behind the camera, however, the UK entertainment industry is much further behind the US on this conversation for structural and population reasons.).
It’s easy for Black fans to miss these discussions online because these fandoms, with a few exceptions for mainstream fame, are outside traditional geek/nerd/fandom culture. There’s also an age gap to consider.
This is a strikingly honest description of culture war politics: create a brand that evokes negative feelings regardless of the details or merits of the case. In other words, the goal is to create a *bias* one that short-circuits reasoning and automates a political response. pic.twitter.com/YryY0adQ7z
Guess what racist fandom discourse accounts (and of course, their tokens of color) do to conversations about racism in fandom~
(literally it’s the same thing. they even use the same language – like woke as a pejorative, panic about censorship, Black people as villains – wow)
I know folks won’t “get” it but there are several points from 2017 to now where people across “transformative” fandom have tilted the needle HARD towards alt right ideology and language in the name of defending fandom specifically from BIPOC and folks just write it off as drama
But it’s not drama.
It’s racists manipulating marginalized white people’s fear of being harmed/silenced for their marginalization (which HAS happened) in order to turn them against BIPOC in fandom who are anti-racism to the point of inspiring long-term harassment campaigns.
It’s been over a year (this piece was originally supposed to go up in June 2021) since the Organization of Transformative Works’ Board of Directors, Chairs, and Leads released a statement of some solidarity with fans of color – particularly Black fans – in the wake of George Floyd’s murder and the worldwide protests against antiblackness, police brutality, and white supremacy that shifted the world on its axis back in 2020.
The OTW – and its “child”, the Archive of Our Own – has yet to make any meaningful inroads into making their segment of fandom accessible, welcoming, and safe for fans of color. In fact, racism done in the name of the Archive of Our Own specifically has increased to some extent with fans of color being subject to increased attacks including shunning, slander, and direct attacks on their fandom and offline reputations for going “perhaps this space could be… less racist”.
Stitch's Media Mix 
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