Tag: Anita Blake

Stitch Reads Rafael (Anita Blake #28): Chapter 3

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Content notes: I talk about sexual assault and metaphysical and emotional manipulation leading to such.

We’re all here because I have ongoing issues with the Anitaverse but lack the common sense necessary to stop reading the series even though it has actually repeatedly set off some of my bad brain stuff. As for issues… well, they’re largely things like Nathaniel basically bullying Micah into changing his sexuality to suit him – and succeeding. Anita casually mentions it at the start of this chapter and it is… not great:

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Stitch Reads Rafael (Anita Blake #28)- Chapter 2

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We’re back at Rafael, beloveds, and I just… please tell me you see what I’m seeing when Rafael and his bodyguard are first introduced on the page after Anita escapes the bitch-off with Kane:

I was more bothered by Kane than I’d thought, since I didn’t sense Rafael’s energy with his main bodyguard, Benito, right beside him. Even without the otherworldly energy they were both tall: dark, muscled, and handsome for Rafael, more sinister for Benito. They both had short black hair and brown eyes, but Benito had deep facial scarring from something that looked like more than acne, but it wasn’t just the scars. I had other people in my life who had facial scars, and none of them seemed like a villainous henchman in a superhero movie, but Benito did. Maybe it was the fact that he worked so hard being scary as Rafael’s main bodyguard.

Like –

Y’all see this too right?

Like the sheer racist cringe on display here? It’s not as bad as the first time that we see Rafael introduced by how gosh darned Mexican he is, but it’s not actually that far off if you’re a recurring reader of the Anitaverse and can clock that this is basically just that? The bonus of Benito being described as menacing because of disfiguremesia – a brilliant term coined by my dear friend Mikaela a few years back – and because he’s Mexican… It just makes me itch.

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Stitch Reads Rafael (Anita Blake #28): Chapter 1

Stitch

I know I said I was done with this series.

I’ve said it at least twice and you’d think it’d stick by now since the past three books have been objectively poorly crafted and have contained content I know I don’t like as well as content that has been a trigger for me in the past. Despite the fact that I don’t read things I dislike – and tell y’all to do the same all the time – I couldn’t help myself. Rafael is the book I knew from Day One of its announcement that Laurell K Hamilton had no business writing because of its focus on Mexican-American wererat and titular character Rafael.

It’s not because Hamilton is a white woman, by the way. It’s because she has a habit of writing really racist-ly for her characters of color and not growing or engaging with it. Almost thirty years into the Anita Blake Vampire Hunter series and Hamilton still trades on and writes stereotypes for the characters of color that populate her books.

So here we are with a book that really shouldn’t exist and a spork I shouldn’t be doing because I know I’m just gonna get mad by the end.

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Urban Fantasy 101: Magical Negros in the Genre

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One of the most infuriating things about urban fantasy as a genre is that one of the most familiar representations for Black readers (and of Black people) comes in the form of the magical Negro figure.

In his article “The School for Magical Negros”, Michael Harriot writes that:

The Magical Negro is the white man’s idealized version of black people—a cross between faithful slave servant who walks with his head down and a superhero too conservatively demure to wear a cape and too grateful for the benevolence of white people to slit their throats for past atrocities. He may drop his “r’s” and use incorrect subject-verb agreement (because a literal incarnation of the perfect black stereotype, by definition, can’t be smart), but he is the incarnation of the friendliest, most loving, loyal dream of a human being.

And that’s the heart of it: magical negro characters literally exist to serve (usually, but not always) white characters on their quest to great magical power.

They exist to use their magical talent (which sometimes isn’t even actual magic but uncanny ability to be exactly what the white protagonist needs to fix themselves) and provide education to prepare the naïve non-black protagonist for magical success. Unless you’re lucky, there’s rarely any attempt at fleshing out the magical negro character or acknowledging either his talent or blackness beyond what those things can bring the hero.

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Urban Fantasy 101: Cop Country

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The audio version of this was originally posted June 11, 2020 on Patreon. This version contains a reference to James Baldwin’s commentary in The Devil Finds Work that is not present in that one.

There are a lot of cops in urban fantasy.

In the biggest and most popular series, the main characters are either outright law enforcement – like my book bae Peter Grant in the Rivers of London series – or they’re like Anita Blake, characters who don’t actually have badges worth anything but are set up as The Law in their neck of the woods.

I’ve read dozens of urban fantasy books in my lifetime and many of the books hinge very closely on these main characters in law enforcement or who are adjacent to law enforcement or… who have very close relationships with cops. 

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Stitch Talks Ish Episode 5 – Returning to the Anitaverse

Stitch

On Buzzsprout/On Spotify

Transcript

Hello, Darlings, and welcome to what will hopefully be a slightly shorter episode of Stitch Talks Ish.

So episode five is all about Laurell K. Hamilton, which I’m sure nobody actually wants, but everybody’s getting. Because despite the fact that I keep saying I’m done with her, her books are really bad, I’m not done with her, even though her books are really bad. That.

We are here because when I see her work, by the time I see it, it’s like, wow, she’s still like that, you know? And it’s not like I have anything else to do. And there are only so many Kpop, K-hip hop related pieces I’m going to be able to make without you guys just straight up showing up here and fighting me. So I have returned for the roast. I cannot promise that I will do anything else. But I have returned to roast Laurell K. Hamilton, which if you’re new to my site, to my social media, I’ve been doing this for a really long time— for me, like, five years minimum.

When I started my website, I started using her stuff as a regular feature. So I was doing The Great Big Anita Blake Reread, where I would reread her books and talk about like the good, the bad, and the just plain ugh, and I’d stopped because we started getting into the book that were just uncomfortable. And I don’t know if I’ll ever return to them—depends on how bored I get.

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Urban Fantasy 101: Bitchin’ Witches (And Wizards)

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I grew up reading Harry Potter in the Virgin Islands. 

I think Rowling’s work was the first “witchcraft and wizardry” book I read as a child. Despite all of Rowling’s many (many) faults, that book series that’s now viewed as part of the Western canon helped nudge me on towards a deep love of urban fantasy that’s still obviously present to this day. 

One of the coolest things about witches and wizards in urban fantasy is that there’s often an element of “anyone could be one” across the narrative. Even in blood-focused societies, there’s always a Hermione who doesn’t need to be genetically gifted because she has skills. 

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The Great Big Anita Blake Reread: Sorting Out Shifters

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“Peggy, that’s my wife, she’s a lycanthrope.”

The Lunatic Café (Anita Blake #4)

Shapeshifters are people too.

At least, that’s what Laurell K Hamilton is trying to convince us and Anita across the twenty-six books in her Anita Blake: Vampire Hunter series: one of the core themes across the Anitaverse  is the idea that shapeshifters are people and they deserve the consideration that people get.

It’d be an admirable approach to take if not for how Hamilton sets up shifters and their pack dynamics. Shifter society and the dynamics between members in a particular group towards insiders and outsiders – especially if those outsiders are human – really make you question what she’s actually succeeding at.

For this pint-sized primer, we’re going to be talking about the main shape-shifter groups Anita interacts with across the Anitaverse – wolves, leopards, hyenas, tigers, and lions, the lone prey group in the whole dang thing, swans – and why Hamilton’s worldbuilding and her rationale behind using shapeshifters as metaphor for various marginalized identities remains more full of holes than a slice of Swiss cheese.

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The Great Big Anita Blake Reread: Narcissus in Chains (Anita Blake #10)

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This cover s from the 2009 French edition of the novel Narcissus in Chains and is from Laurell K Hamilton’s website.

I’m still hoping the ardeur is temporary.

The last installment, I told y’all to make sure that you had alcohol ready because we were getting into the really stressful parts of the Anita Blake series. While it’s not as rough as I expected, it’s still something that drove me to crave a drink or two.

Narcissus in Chains is the tenth book in Laurell K Hamilton’s Anita Blake series and the start of what I view as the downward slide of the series’ trajectory.

Set some six months after Obsidian Butterfly, Anita has finally decided that she’s ready to restart things with Richard and Jean-Claude so that their power base isn’t left vulnerable. She makes this decision right around the time that a mysterious shapeshifter starts targeting the people in the various packs that she has sworn to protect. Which is great timing considering the power boost that they all get as a result of her return.

While the official blurb for the book makes it sound like a dark mystery and a battle for Anita’s very soul are bound up in the novel (“Nothing can save Anita from a twist of fate that draws her ever closer to the brink of humanity–to finally surrender to the bloodlust, the beast, and the desire transforming her body and consuming her soul.”), the actual book is… way more boring than you’d think.Read More »

Audio Backlog: Anita Blake Reread: Guilty Pleasures

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Audio Backlog Header.png

“Vampires are People, too.”

– The button that Monica Vespucci is wearing when she and Anita first meet echoes a repeated message in this series about how vampires are people too. But people you know… suck. So vampires do too, and not just because it’s how they get nourishment.

MP3:

Source Post:  The Great Big Anita Blake Reread – Guilty Pleasures

I’m trying to make my work more accessible to a larger audience so that means Patreon-first recordings of me reading my longer essays and parts of my various series at the $1 Tier before they get put up here.

If there’s a post you couldn’t make it through because of its length and would prefer having as an audio file, drop me a line and I’ll bump it up the list!

The Great Big Anita Blake Reread: Approaching the Ardeur (An Explainer)

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The Great Big Anita Blake Reread_ Approaching the Ardeur (An Explainer)

As I’ve dragging my heels on finishing Narcissus in Chains (Anita Blake #10) for the next installment of my reread series, I’ve realized that there’s one small problem with how I talk about the Anitaverse. I keep assuming that you all have already read the series and are familiar with how everything works and therefore I don’t slow down to explain things that are probably confusing to the uninitiated.

So for the next two or three months, I’ll be writing mini-primers to three of the biggest worldbuilding bits that are semi-constant across the Anitaverse that I haven’t explained (but really need to before I keep going any further).

For this month, I’ll be covering the ardeur.

Content warnings for this primer: descriptions of sexual assault, “fuck or die”/”sex pollen” scenarios, rape culture, and sex-negative feminism framed as “sex positive” feminism, homophobia, a reference to an adult having sex with a teenager

“I thought you would be angry with me for giving you the ardeur, the fire, the burning hunger.”

The ardeur is first named in the thirteenth chapter of Narcissus in Chains after Micah assaults Anita in the previous chapter while she’s under her first brush of the ardeur.

In the chapter, after Anita shamefully admits to having sex with Micah (and again, it was rape), Jean-Claude confesses to having hidden this power from her and to denying his own hunger for sex because he know she wouldn’t approve.

Here’s the first of many issues with the ardeur.

Prior to this book, there’s nothing within the Anitaverse that tells us that Jean-Claude has this power hidden within his body.Read More »

The Great Anita Blake ReRead: Obsidian Butterfly

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Note: this installment covers and talks about racism. sexual violence, and gaslighting in mild detail for the most part. In the final part, I also mention some of the upcoming events in the Anitaverse including a reference to Anita having sex with an underage character and her sexual assault in the next book.

Obsidian Butterfly - 2006 Cover.jpg

Edward had saved my life more than once. I’d saved his more than once. Yet . . . yet . . . I’d miss Edward, but I’d kill him if I had to. Edward wonders why I’m so sympathetic to the monsters. The answer is simple. Because I am one.

I’m going to be perfectly honest with y’all: for many years, Obsidian Butterfly (Anita Blake #9) was the closest I ever came to having a favorite Anita Blake book.

Back when I’d first read it, just a little out of order and after all of the relationship drama and wonky sex scenes of the following books, I’d thought it was a captivating book that managed to push the relationship shit to the back of the book and focus on more human monsters instead of the main plot dealing with how awful vampires and shifters are (but telling us to empathize with them anyway).

Rereading it, I’ve realized that I was mostly… wrong.

In Obsidian Butterfly, Anita travels to Santa Fe, New Mexico after the ever-cryptic Edward – the bounty hunter and killer for hire that we last saw back when Mr. Oliver rolled into town a bunch of books back – calls in the favor that Anita somehow owes him because she… killed his partner at the time, a man who was actively trying to kill her. You know, because that makes all of the sense.

What’s waiting for Anita in Santa Fe?

Only a spate of grotesque murders and mutilations, Edward’s engagement to a woman that doesn’t know who and what he really is, henchmen with an axe to grind for their boss, and preternatural beings that are somehow even more messed up than the ones she’d left behind in St. Louis.

While a lot of things about Obsidian Butterfly don’t hold up almost twenty years after it was published, it’s actually… not that far from what I remembered and all in all, not an entirely un-enjoyable read in part because the main plot is one of the most solid across the Anitaverse to this day.

Strap yourselves in for another ridiculously long installment of my Great Big Anita Blake ReRead. I’ve got stuff to say about everything the novel did really well, what it still sucks at, and the one thing I wish I could carve out of the book with my bare bloody hands.

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Sporking For A Good Cause: Laurell K. Hamilton’s Shutdown (Anita Blake 22.5)

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sporking for a good cause

First things first here is a list of charities that you can (and should) donate to in order to help people directly affected by the government shutdown here in the US. Many of these people aren’t going to get paid even once the government re-opens and right now they’re suffering greatly. If you can donate, you can help someone get a little bit of financial security in these trying times.

Now, some backstory:

In October 2013, the US government was shut down for several days as a result of the Republican congress really hating the idea of letting the United States people get anything close to universal healthcare.

In response to the shutdown and ostensibly for her readers impacted by the shutdown as government workers, Laurell K. Hamilton posted “Shutdown”, a short story (or, more likely, a deleted scene from  the novel that had come out in July of the same year, Affliction) about the werewolf alpha Richard Zeeman introducing his newest human lover to Anita Blake and her main-shapeshifter squeeze, the wereleopard alpha Micah Callahan. This 7200-word story is a quick and frustrating look into the life of one of Anita’s former main lovers.

As Hamilton posted this story with good intentions and reuploaded it with the threat – I mean, promise – to figure out a sequel or original short story if the shutdown continues – with good intentions as well, I am sporking it with the best intentiions at heart. I would appreciate it if my followers/readers donated to one of the charities or organizations I linked to at the beginning of this piece.

So, now that you’ve (hopefully) donated to an organization that’s going to help folks impacted by the government shutdown, let’s start the sporking (for a good cause). The usual trigger warnings for any conversation about the Anitaverse apply here as I’ll be talking about the consent issues in the short, internalized misogyny, kink/sex shaming, and sexual violence. So read carefully if you can!

Note: If you prefer to listen to your sporking, here’s the MP3 narration I did! Don’t forget to donate, you nerds!
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Fleeting Frustrations #4: What’s the Deal With Reverse Harem Romances?

Stitch

fleeting frustrations 4

There are only about three thousand books that come up when I search for “reverse harem” so let me start out by letting y’all know that I do get that it’s a small part of the overall genre and makes up a teeny tiny percentage of the books published.

But the point of my Fleeting Frustrations pieces is to air a grievance, and on this site: no grievance is too small, too petty, or too focused on a niche within a specific genre for me to air it like laundry on a line.Read More »